Dbx Project 1 266 Comp Gate 522 112412 8

October 26th, 2011 by admin Leave a reply »

Dbx Project 1 266 Compressor Gate Compressor


Dbx Project 1 266 Compressor Gate Compressor


$49.99


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Dbx Project 1 266 Compressor/Gate Compressor


Dbx Project 1 266 Compressor/Gate Compressor


$49.99


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Dbx Project 1 Powered Mixer


Dbx Project 1 Powered Mixer


$99.99


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Dbx 266Xs Compressor/Gate


Dbx 266Xs Compressor/Gate


$169


The dbx 266xs Compressor/Gate is the latest in a long line of the world’s most successful compressors from the inventors of the technology. Its patented Overeasy compression technology provides smooth and musical performance while the AutoDynamic attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4″ TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches. Adding a dbx 266xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix – adding greater clarity and making them stand out from the surrounding instruments Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes New gate timing algorithms ensure the smoothest release characteristics Program-adaptive expander/gates Great sounding dynamics control for any type of program material Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup Stereo or dual-mono operation Balanced inputs and outputs on 1/4″ TRS and XLR connectors Side Chain insert Classic dbx “Auto” mode

Dbx 166Xs Dual Compressor Limiter


Dbx 166Xs Dual Compressor Limiter


$259


Adding a dbx 166xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix – adding greater clarity and making them stand out from the surrounding instruments. To protect your expensive amps and speakers the PeakStop limiter provides an absolute ceiling for peak excursions or large transients that could damage your equipment. dbx knows compressors…after all they invented them! The 166xs is the latest in a long line of the world’s most successful compressors from the inventors of the technology. Its patented Overeasy compression technology provides smooth and musical performance while the AutoDynamic attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 166xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4″ TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches. Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes New gate timing algorithms ensure the smoothest release characteristics Program-adaptive expander/gates Great sounding dynamics control for any type of program material Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup Stereo or dual-mono operation Balanced inputs and outputs on 1/4″ TRS and XLR connectors Side Chain insert Classic dbx “Auto” mode

Dbx 150 Noise Gate


Dbx 150 Noise Gate


$69.99


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dbx 266xs Compressor/Gate


dbx 266xs Compressor/Gate


$131.96


The dbx 266xs CompressorGate is the latest in a long line of the worlds most successful compressors from the inventors of the technology. Its patented Overeasy compression technology provides smooth and musical performance while the AutoDynamic attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 266xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 14 TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches. Adding a dbx 266xs CompressorLimiterGate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix – adding greater clarity and making them stand out from the surrounding instruments Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes New gate timing algorithms ensure the smoothest release characteristics Program-adaptive expandergates Great sounding dynamics control for any type of program material Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup Stereo or dual-mono operation Balanced inputs and outputs on 14quot TRS and XLR connectors Side Chain insert Classic dbx quotAutoquot mode

Dbx 463X Noise Gate


Dbx 463X Noise Gate


$79.99


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dbx 1066 Compressor/Limiter/Gate


dbx 1066 Compressor/Limiter/Gate


$378.36


1066 Dual Compressor Limiter Gate Want to instantly add Color that classic dbx response to your mix Its there at the touch of the Auto button. Or use the independent Attack and Release controls to tailor the 1066 to your specific needs. Unwanted frequencies or mic bleed in the signal path Frequency dependent gain control is a snap to set up and execute with our Side Chain External button SC Ext. Use the Side Chain Monitor button SC Mon and your favorite EQ to dial in the specific frequencies you want to trigger the device. As has become our standard, the contour switch allows entire mixes to be easily smoothed with soft compression while keeping low frequencies from punching holes in the overall mix. Selectable input and output metering allow you to make sure that everything is matched up level-wise, maximizing your signal-to-noise ratio.Selectable auto classic dbx or manual variable Attack and Release compression Contour switch removes unwanted low frequency information from detector circuit True stereo or dual mono operation

Dbx Noise Reduction System Noise Gate


Dbx Noise Reduction System Noise Gate


$49.99


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dbx Single Channel Strip With Compressor/Expander/Gate/De-esser/Enhancer


dbx Single Channel Strip With Compressor/Expander/Gate/De-esser/Enhancer


$199.95


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Dbx Single Channel Strip With Compressor/Expander/Gate/De-Esser/Enhancer


Dbx Single Channel Strip With Compressor/Expander/Gate/De-Esser/Enhancer


$199.95


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Dbx Pb-48 48-Point 1/4 Patch Bay


Dbx Pb-48 48-Point 1/4 Patch Bay


$75.99


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Dbx Pb-48 48-Point 1/4 Patchbay


Dbx Pb-48 48-Point 1/4 Patchbay


$109


Patchbays often go unappreciated until their contacts get rusty or you need just a few more connections. The dbx PB-48 48-point Patchbay takes care of both problems with the greatest of ease. This balanced DBX 1/4″ TRS patchbay has 48 easy-to-reach jacks in the front and rear-96 points in all. Each of its 24-card assemblies has 4 jacks and thumbscrews so switching from normalled to non-normalled positions is easy. Pure nickel silver self-cleaning contacts won’t get funky and waste your connections. The patchbay uses one rackspace. You’ll appreciate its dependability and the price!

dbx PB-48 48-Point 1/4 Patchbay


dbx PB-48 48-Point 1/4 Patchbay


$87.96


PB-48 48-Point QTR Patch Bay Well, its not very glamourous, but everybody needs a patchbay. And as for the PB48, it is a patchbay that just works, all the time, every time. The PB48 is a rugged, noise-free, versatile patchbay designed to serve all your patchbay needs, from providing clear and easy access to your mixer and other studio gear, to reducing the wear and tear on their jacks, to facilitating quick and precise rerouting of devices within your studio setup. See, not glamorous, but it works great.

dbx DriveRack 260 Complete Equalization and Loudspeaker Control System Regular 1


dbx DriveRack 260 Complete Equalization and Loudspeaker Control System Regular 1


$511.2


Designed to be the only device necessary between the mixer and the power amps, DriveRacks are all-inclusive loudspeaker management systems versatile enough to suit any sound reinforcement, monitoring, or install application. The DriveRack 260 offers 2 independent channels of processing power with a linkable 28-band graphic EQ, industry-standard dbx stereo compressor module, feedback eliminator, and the 120A Subharmonic Synthesizer on the input signal path. 6-channel output system includes parametric EQs, PeakStopPlus limiters to provide protection against speaker blowouts, and alignment delay. Setup Wizard gets you up and running quickly and GUI control provides easy PC-based control. Click on the PDF link below for more complete details on this powerful PA control system.Feedback elimination 2.7 seconds of alignment and zone delay RS-232 PC GUI control Classic dbx compression and limiting Graphic and parametric EQs Auto-EQ function Full bandpass, crossover, and routing configurations Auto gain control Pink noise generator and fulltime RTA Setup wizard with JBL speaker and Crown power amplifier tunings Security lockout Wall panel control inputs for permanent installations

dbx 166xs Dual Compressor Limiter Regular 190839042880


dbx 166xs Dual Compressor Limiter Regular 190839042880


$148.77


Adding a dbx 166xs CompressorLimiterGate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix – adding greater clarity and making them stand out from the surrounding instruments. To protect your expensive amps and speakers the PeakStop limiter provides an absolute ceiling for peak excursions or large transients that could damage your equipment. dbx knows compressors…after all they invented them The 166xs is the latest in a long line of the worlds most successful compressors from the inventors of the technology. Its patented Overeasy compression technology provides smooth and musical performance while the AutoDynamic attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 166xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 14 TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches. Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes New gate timing algorithms ensure the smoothest release characteristics Program-adaptive expandergates Great sounding dynamics control for any type of program material Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup Stereo or dual-mono operation Balanced inputs and outputs on 14 TRS and XLR connectors Side Chain insert Classic dbx Auto mode

dbx 166xs Dual Compressor Limiter


dbx 166xs Dual Compressor Limiter


$227.92


Adding a dbx 166xs CompressorLimiterGate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix – adding greater clarity and making them stand out from the surrounding instruments. To protect your expensive amps and speakers the PeakStop limiter provides an absolute ceiling for peak excursions or large transients that could damage your equipment. dbx knows compressors…after all they invented them The 166xs is the latest in a long line of the worlds most successful compressors from the inventors of the technology. Its patented Overeasy compression technology provides smooth and musical performance while the AutoDynamic attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 166xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 14 TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches. Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes New gate timing algorithms ensure the smoothest release characteristics Program-adaptive expandergates Great sounding dynamics control for any type of program material Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup Stereo or dual-mono operation Balanced inputs and outputs on 14quot TRS and XLR connectors Side Chain insert Classic dbx quotAutoquot mode

DRIVERACKPA2 Complete Loudspeaker Management System


DRIVERACKPA2 Complete Loudspeaker Management System


$523.9


The dbx Driverack is one of the most innovative and helpful tools to come along for the live sound engineer in decades. It incorporates crossover, EQ, compression, delay parameters and much more within individual presets. These presets can then be applied to specific rooms, expected environments and applications. The dbx Driverack PA2 incorporates heavily researched and well-considered improvements in the original Driverack system.Updated Wizard Setup FunctionsUpdated Wizards make initial set up easy, while ensuring speaker tunings and other settings are up-to-date. Wizard functions on the DriveRack PA2 guide you through easy, step-by-step processes to help you get the most from your loudspeaker system.Input Processingdbx Compression.AFS (Advanced Feedback Suppression).Graphic EQ.8-Band Parametric EQ (adjusted when using the AutoEQ).Subharmonic Synthesis.Output ProcessingCrossover (supports full range, 2-way, and 3-way systems).8-Band Parametric EQs (used for speaker tunings).dbx Limiting.Driver Alignment Delays.

Dbx Ieq-31 Graphic Eq


Dbx Ieq-31 Graphic Eq


$629.95


Uncompromised dbx sonic integrity enhanced with a powerful array of flexible features define the dbx iEQ-31 Graphic EQ. You get AFS one-touch feedback suppression, Type V noise reduction, and PeakStopPlus limiting. Switchable 6 or 15dB boost/cut range; 12dB input gain range; 40mm faders; and nonconductive nylon sliders give you precision command. 10Hz to 22kHz frequency response, 110dB dynamic range, 1/3-octave Constant Q frequency bands, and internal toroidal transformer. 1/4″ TRS, XLR, and Euroblock balanced and unbalanced RF-filtered inputs and outputs.Dual 31-band EQ AFS one-touch feedback suppression Type V noise reduction PeakStopPlus limiting Switchable 6 or 15dB boost/cut range 12dB input gain range 40mm faders Nonconductive nylon sliders 10Hz to 22kHz frequency response 110dB dynamic range 1/3-octave Constant Q frequency bands Internal toroidal transformer 1/4″ TRS, XLR, and Euroblock balanced and unbalanced RF-filtered inputs and outputs

Dbx 560A 500 Series Compressor / Limiter


Dbx 560A 500 Series Compressor / Limiter


$199.95


The dbx 560A Compressor/Limiter offers legendary VCA-based compression in the increasingly popular 500 Series format. dbx has a much-heralded history with modular processors dating back to the 900 Series and the 560A continues that tradition.Featuring the same switch-selectable OverEasy and Hard Knee compression curves as the industry-standard dbx 160A rackmount processor, the dbx 560A will be your new workhorse compressor! With extremely wide-ranging threshold, ratio and output controls and true RMS level detection providing the most natural-sounding dynamics processing available, the 560A will provide punch to drums, bass, vocals, almost anything! Its also versatile enough to go from subtle compression to “brick wall” peak limiting.Choose low ratios and OverEasy compression to expertly smooth out fluctuating vocal and instrumental levels, or use the 560A’s Hard Knee compression and high ratios for bombproof protection against overload distortion in digital recording, P.A. systems and broadcast signals.The 560A’s 19-segment, switchable Input/Output LEDs and 12-segment Gain Reduction LEDs provide precise analysis at a glance. And, the dbx 560A’s unique “INFINITY +” inverse-compression mode actually decreases the audio output level below unity gain when the input exceeds threshold, a real lifesaver for correcting overbearing vocal choruses and controlling runaway mix levels.OverEasy or classic hard knee compression with dbx’ ultra-musical program dependent attack and release timesCompression ratio variable from 1:1 through infinity:1 to -1:1Precise RMS gain reduction and input/output meter displays with calibration control for different operating levelsTrue RMS level detectionExclusive Infinity+ compression using negative ratios

Dbx 2231 Dual 31-Band Graphic Equalizer


Dbx 2231 Dual 31-Band Graphic Equalizer


$569


The dbx 2231 Dual 31-Band Graphic Equalizer gives you 2 channels with 31 bands, each 1/3 octave to achieve the most precise tone control you can get. The dbx 2231 equalizer combines a superb EQ circuit, a powerful limiter, and revolutionary Type III noise reduction that increases S/N ratio by 20dB. The PeakPlus limiter’s threshold ranges from 0dBu to +20dBu and can transparently tame the wildest hits or subtlest nuances of any signal. A 4-segment LED bar graph for both gain reduction and output level offers the most comprehensive visual feedback available. XLR, barrier strip, and 1/4″ connectors; 45mm nylon sliders; and 12dB input gain stage provide pro flexibility and performance. dbx also includes status LEDs for all settings on the front panel of the 2231 Dual Graphic Equalizer.Dual-channel 31-bands 1/3-octave per band PeakPlus limiter LED bar graph for gain reduction and output level Status LEDs for all settings on the front panel XLR, barrier strip, and 1/4″ connectors 45mm nylon sliders 12dB input gain stage

Dbx Db10 Passive Direct Box Black


Dbx Db10 Passive Direct Box Black


$79


The dbx dB10 is a passive direct box that features custom dbx mu-metal-shielded audio transformers, high-quality Neutrik connectors, and low-noise circuitry. The dB10 direct box includes a pad switch that accommodates instrument, line, and even speaker level signals. Take even more control of your sound by utilizing the dB10 passive direct box’s polarity invert switch to set the phase relationship between the direct and the mic’d sound. As a professional, you don’t have time for interference, so dbx includes a ground lift switch in the db10 passive DI box to solve potential hum and buzz problems due to ground loops. And between the combined shielding of the db10′s cast metal chassis and the custom-wound transformer, you can be doubly assured of a clean signal free from interference. All of this sits atop the dbx dB10 direct box’s solid, stable footprint, that keeps the dB10 box from being dragged around the stage. The dbx DB10 Passive Direct Box also has a uniquely contoured underside that allows secure stacking of multiple units.Input Section: Input: 1 instrument/line/speaker level Connector: 1/4″ jack Type: Unbalanced, RF filtered Impedance: 150k Ohm typical Max Input Level: +20dBu (0dB pad) +40dBu (20dB pad) +60dBu (40dB pad) Output Section: Thru Output: 1 parallel connection from input jack Connector: 1/4″ jack Type: Unbalanced, RF filtered Main Output: 1 line level Connector: XLR male jack Type: Balanced Impedance: 150 Ohm typical Max Output Level: 0dBu Performance: Transformer: Custom dbx mu-metal-shielded Frequency Response: 20Hz to 20kHz, 2.5dB Noise:

Dbx Db12 Active Direct Box Black


Dbx Db12 Active Direct Box Black


$114


The dbx dB12 is an active direct box that utilizes custom dbx mu-metal-shielded audio transformers, high-quality Neutrik connectors, and low-noise circuitry. The dB12 direct box includes a pad switch that accommodates instrument, line, and even speaker level signals. Take even more control of your sound by utilizing the dB12 direct box’s polarity invert switch to set the phase relationship between the direct and mic’d sound. As a professional, you don’t have time for interference, so dbx includes a ground lift switch in the dB12 active direct box to solve potential hum and buzz problems due to ground loops. And between the combined shielding of the cast metal chassis and the custom-wound transformer, you can be doubly assured of a clean signal free from interference. All of this sits atop a solid, stable footprint, that will keep the dB12 direct box from being dragged around the stage. Unique contoured underside allows secure stacking of multiple dbx dB12 Active Direct Box units. Input Section Input: 1 instrument/line/speaker level Connector: 1/4″ jack Type: Unbalanced, RF filtered Impedance: 1M Ohm (0dB pad) 47k Ohm (20dB pad) 47k Ohm (40dB pad) Max Input Level: +10dBu (0dB pad) +30dBu (20dB pad) +50dBu (40dB pad) Output Section Thru Output: 1 parallel connection from input jack Connector: 1/4″ jack Type: Unbalanced, RF filtered Main Output: 1 line level Connector: XLR male jack Type: Balanced Impedance: 150 Ohm typical Max Output Level: +8dBu into 600 Ohm Performance Transformer: Custom dbx mu-metal-shielded Frequency Response: 20Hz to 20kHz, 3dB 30Hz to 20kHz, +0/-1dB Noise:

Used Dbx Db12 Active Direct Box Black


Used Dbx Db12 Active Direct Box Black


$100.32


The dbx dB12 is an active direct box that utilizes custom dbx mu-metal-shielded audio transformers, high-quality Neutrik connectors, and low-noise circuitry. The dB12 direct box includes a pad switch that accommodates instrument, line, and even speaker level signals. Take even more control of your sound by utilizing the dB12 direct box’s polarity invert switch to set the phase relationship between the direct and mic’d sound. As a professional, you don’t have time for interference, so dbx includes a ground lift switch in the dB12 active direct box to solve potential hum and buzz problems due to ground loops. And between the combined shielding of the cast metal chassis and the custom-wound transformer, you can be doubly assured of a clean signal free from interference. All of this sits atop a solid, stable footprint, that will keep the dB12 direct box from being dragged around the stage. Unique contoured underside allows secure stacking of multiple dbx dB12 Active Direct Box units. Input Section Input: 1 instrument/line/speaker level Connector: 1/4″ jack Type: Unbalanced, RF filtered Impedance: 1M Ohm (0dB pad) 47k Ohm (20dB pad) 47k Ohm (40dB pad) Max Input Level: +10dBu (0dB pad) +30dBu (20dB pad) +50dBu (40dB pad) Output Section Thru Output: 1 parallel connection from input jack Connector: 1/4″ jack Type: Unbalanced, RF filtered Main Output: 1 line level Connector: XLR male jack Type: Balanced Impedance: 150 Ohm typical Max Output Level: +8dBu into 600 Ohm Performance Transformer: Custom dbx mu-metal-shielded Frequency Response: 20Hz to 20kHz, 3dB 30Hz to 20kHz, +0/-1dB Noise:
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