DBX 386 Dual Tube Microphone Preamp

January 17th, 2010 by admin Leave a reply »

Dbx 386 Dual-Vacuum Tube Microphone Preamp


Dbx 386 Dual-Vacuum Tube Microphone Preamp


$239.99


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Dbx 786 Microphone Preamp


Dbx 786 Microphone Preamp


$1199.99


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Tube-Tech MP2A Dual Mic Preamp and DI


Tube-Tech MP2A Dual Mic Preamp and DI


$3950


The MP 2A is a combined mic preampDI, based on a classic TUBE-TECH design, but featuring even higher fidelity and two primary new features An impedance switch to match the input perfectly to all types of microphones, and an overload indicator and 2 dB gain steps.MP2A is the second in the new range of upgraded microphone preamplifierDIs The modular PM1A was the first.nbspThese new preamps features even higher headroom and fidelity than the earlier TUBE-TECH micpres.nbspListening tests of the MP 2A reveal sound quality second to none, placing it among a handful of the worlds very best designs.The MP 2A DI continues the TUBE-TECH tradition of extremely good sounding DIs, delivering world class sound for bass and guitar DI recordings.Switchable 48 V phantom power, selectable mic impedance of 60012002400 OhmPhase reverse switch, low-cut filter 20 Hz40 Hzoff, as well as a switchable -20 dB padGain is adjustable from 10 dB to 70 dB. 10db steps, coarse 2 dB steps, fine.The Direct Instrument Input are unbalanced with a gain ranging from 10 dB to 60 dBInput transformer is enclosed in a MU-metal canInput and output transformers come with a static screen between the primary and secondary wiringsThe input and output are balanced as well as fully floatingAll-tube design featuring push-pull output amplifier

Tube-Tech Mp2a Dual Mic Preamp And Di


Tube-Tech Mp2a Dual Mic Preamp And Di


$3950


The MP 2A is a combined mic preamp/DI, based on a classic TUBE-TECH design, but featuring even higher fidelity and two primary new features: An impedance switch to match the input perfectly to all types of microphones, and an overload indicator and 2 dB gain steps.MP2A is the second in the new range of upgraded microphone preamplifier/DIs (The modular PM1A was the first). These new preamps features even higher headroom and fidelity than the earlier TUBE-TECH micpres. Listening tests of the MP 2A reveal sound quality second to none, placing it among a handful of the world’s very best designs.The MP 2A DI continues the TUBE-TECH tradition of extremely good sounding DIs, delivering world class sound for bass and guitar DI recordings.Switchable +48 V phantom power, selectable mic impedance of 600/1200/2400 OhmPhase reverse switch, low-cut filter (20 Hz/40 Hz/off), as well as a switchable -20 dB padGain is adjustable from +10 dB to +70 dB.( 10db steps, coarse +2 dB steps, fine.)The Direct Instrument Input are unbalanced with a gain ranging from + 10 dB to + 60 dBInput transformer is enclosed in a MU-metal canInput and output transformers come with a static screen between the primary and secondary wiringsThe input and output are balanced as well as fully floatingAll-tube design featuring push-pull output amplifier

dbx goRack Performance Processor


dbx goRack Performance Processor


$29


A small and inexpensive speaker processor that will result in unprecedented performance from your existing powered speaker system. Based on dbxs DriveRack Series, the goRack provides Anti-Feedback, Compression, Sub-Harmonic Synth and EQ. Each processing function is enabled or disabled via top-level function buttons, and settings can be adjusted via goRack large data wheel.goRack rear panel features combination 14XLR inputs that can be connected to mixer outputs or to microphones directly. When using a mic, the goRacks MicLine switch selects the proper input sensitivity and gain range while dual gain controls on the top provide independent level adjustment. goRack 18 Aux input allows for direct connection of mobile music players while XLR outputs interface with powered speakers. The goRack is perfect for applications from a mixer, or with its dual XLR inputs and Aux input, it can be used as a standalone performance processormixer for the solo artist.Feedback supressionMake annoying and potentially painful audio feedback a thing of the past with the goRacks simple-to-use, Anti-Feedback processing. Based on dbxs industry-leading AFS Advanced Feedback Suppression algorithm, the goRack makes eliminating system feedback a snap. Simply press the goRacks Anti-Feedback function button and use the Data Wheel to adjust the settings. The goRack listens for, anticipates and removes feedback automatically without altering your sound.CompressionControl dynamics and fine-tune your system with the straightforward Compressor feature based on the legendary dbx 163 Compressor. Minimize peaks and level out variances in your audio source material with goRack intuitive Compressor feature.Sub-harmonic synthgoRacks Sub Synth feature is the perfect tool for adding extra bass to your system. For decades, dbxs patented Subharmonic Synthesis has been the secret weapon usCompact Form FactorAnti-Feedback Processing based on the dbx AFS Advanced Feedback Suppression algorithmdbx Compression based on the dbx 163Subharmonic SynthesisEQ 20 Musical Genre-Based 31-Band Graphic EQ SettingsDual dbx Microphone PreampLine InputsSelectable MicLine Input SettingsStereo Inputs and OutputsCombination MicLine Input Jacks and XLR Outputs18quot Stereo Aux Input for Mobile Music PlayersDevicesIndependent Left and Right Channel Volume Controls

Tube-Tech Mec 1A Recording Channel


Tube-Tech Mec 1A Recording Channel


$4950


The rackmount Tube-Tech MEC 1A recording channel combines the MP 1A microphone and DI preamplifier, EQ 1A equalizer, and CL 1B optical compressor. It doesn’t get any better than that baby! The MEC 1A is designed and hand crafted to deliver the warmth of vintage quality recordings with unrivaled accuracy, purity, and realism. You couldn’t ask for a better front end for your DAW!Tube-Tech MEC 1A Recording Channel, First Take:All-tube channel strip comprising MP 1A preamp, EQ 1A equalizer, and CL 1B compressorMicrophone preamp: The microphone preamplifier consists of a microphone input transformer (with a static screen) with a step-up of +10 dB, two dual tube preamplifiers with two stepped gain switches, one with 10dB/step (coarse) and one 1dB/step (fine) giving a total gain range of +20dB to +70dB. The microphone input is provided with a switchable -20dB attenuation (PAD), switchable +48 V phantom-power and phase reverse. A highpass filter for the microphone and the DI input is switchable between off, 20 Hz and 40 Hz. For more information, check out the Tube-Tech MP 1A (# 182001)The microphone input is capable of accepting levels of up to +6 dBU (1.55V) at 40 Hz without the PAD. With the PAD switched into the circuit, the MEC 1A can be used as a unity gain line amplifier accepting levels up to +26 dBU (15.5V) at 40 Hz. The high impedance DI input is unbalanced and placed in the circuit directly after the input transformer. The gain range for this input is +10dB to +60dB. When in use, the microphone input is disabled. Equalizer: You’ll love the sound of this EQ. It performs exactly as you would want a high-end EQ to. With minimal tweaking, you can add all of the punch, polish, and air you like to make your recordings stand out. The equalizer features low and high shelving filter with a gain range of +/- 15dB, each with 6 switchable frequencies aTube based “All-in-one” recording channel+20 dB to +70 dB Gain mic preampPhantom Power (+48 V)Phase Reverse-20 dB padLowcut filterHigh-impedance DI-input (>1 Mohm) for direct connection of guitar, bass or keyboardThree band equalizer6 Low shelving frequency choices6 High shelving frequency choicesBell type Mid section with 12 switchable frequenciesVariable QSeparate in/out switchCompressor with optical gain reduction elementLinkable for stereo applicationsVariable Attack and Release parametersRatio 1.5:1 to 10:1Separate in/out switch

Tube-Tech MP2A Dual Mic Preamp and DI Standard


Tube-Tech MP2A Dual Mic Preamp and DI Standard


$3950


The MP 2A is a combined mic preamp/DI, based on a classic TUBE-TECH design, but featuring even higher fidelity and two primary new features: An impedance switch to match the input perfectly to all types of microphones, and an overload indicator and 2 dB g

Dbx Rta-M Dynamic Microphone


Dbx Rta-M Dynamic Microphone


$39.99


Used Dbx RTA-M Dynamic Microphone.

DBX 286s Microphone Pre-amp Processor - White


DBX 286s Microphone Pre-amp Processor – White


$219


Microphone Pre-amp Processor

Dbx 166Xl Dual Compressor


Dbx 166Xl Dual Compressor


$49.99


<!– Begin Made In –><p />Made In: United States<!– End Made In –>. Included accessories: Power Cable/Supply.

dbx RTA-M Reference Microphone for DriveRack PA


dbx RTA-M Reference Microphone for DriveRack PA


$99.95


Omni-directional, flat frequency, measurement mic. Requires phantom power.

Dbx Rta-M Reference Microphone For Driverack Pa


Dbx Rta-M Reference Microphone For Driverack Pa


$99.95


Omni-directional, flat frequency, measurement mic. <BR/>Requires phantom power.

Dbx 166Xs Dual Compressor Limiter


Dbx 166Xs Dual Compressor Limiter


$259


Adding a dbx 166xs Compressor/Limiter/Gate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix – adding greater clarity and making them stand out from the surrounding instruments. To protect your expensive amps and speakers the PeakStop limiter provides an absolute ceiling for peak excursions or large transients that could damage your equipment. dbx knows compressors…after all they invented them! The 166xs is the latest in a long line of the world’s most successful compressors from the inventors of the technology. Its patented Overeasy compression technology provides smooth and musical performance while the AutoDynamic attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 166xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 1/4″ TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches. Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes New gate timing algorithms ensure the smoothest release characteristics Program-adaptive expander/gates Great sounding dynamics control for any type of program material Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup Stereo or dual-mono operation Balanced inputs and outputs on 1/4″ TRS and XLR connectors Side Chain insert Classic dbx “Auto” mode

dbx 166xs Dual Compressor Limiter


dbx 166xs Dual Compressor Limiter


$227.92


Adding a dbx 166xs CompressorLimiterGate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix – adding greater clarity and making them stand out from the surrounding instruments. To protect your expensive amps and speakers the PeakStop limiter provides an absolute ceiling for peak excursions or large transients that could damage your equipment. dbx knows compressors…after all they invented them The 166xs is the latest in a long line of the worlds most successful compressors from the inventors of the technology. Its patented Overeasy compression technology provides smooth and musical performance while the AutoDynamic attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 166xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 14 TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches. Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes New gate timing algorithms ensure the smoothest release characteristics Program-adaptive expandergates Great sounding dynamics control for any type of program material Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup Stereo or dual-mono operation Balanced inputs and outputs on 14quot TRS and XLR connectors Side Chain insert Classic dbx quotAutoquot mode

Dbx 231 Dual 31-Band Graphic Equalizer


Dbx 231 Dual 31-Band Graphic Equalizer


$72.99


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Dbx 2231 Dual 31-Band Graphic Equalizer


Dbx 2231 Dual 31-Band Graphic Equalizer


$569


The dbx 2231 Dual 31-Band Graphic Equalizer gives you 2 channels with 31 bands, each 1/3 octave to achieve the most precise tone control you can get. The dbx 2231 equalizer combines a superb EQ circuit, a powerful limiter, and revolutionary Type III noise reduction that increases S/N ratio by 20dB. The PeakPlus limiter’s threshold ranges from 0dBu to +20dBu and can transparently tame the wildest hits or subtlest nuances of any signal. A 4-segment LED bar graph for both gain reduction and output level offers the most comprehensive visual feedback available. XLR, barrier strip, and 1/4″ connectors; 45mm nylon sliders; and 12dB input gain stage provide pro flexibility and performance. dbx also includes status LEDs for all settings on the front panel of the 2231 Dual Graphic Equalizer.Dual-channel 31-bands 1/3-octave per band PeakPlus limiter LED bar graph for gain reduction and output level Status LEDs for all settings on the front panel XLR, barrier strip, and 1/4″ connectors 45mm nylon sliders 12dB input gain stage

Dbx 1215 Dual 15-Band Graphic Equalizer


Dbx 1215 Dual 15-Band Graphic Equalizer


$289


Designed for use in the most demanding live situations, the dbx 1215 Dual 15-Band Graphic Equalizer provides dual channels, 15 – 2/3-octave bands, ISO frequency centers, 12dB input gain range, and switchable 40Hz/18dB per octave low-cut filters. Other quality features of the dbx 1215 EQ include 45mm faders; selectable 6dB or 15dB boost/cut range; XLR, barrier strip, and 1/4″ TRS connectors; balanced inputs and outputs for quiet operation; and chassis/signal ground lift capabilities for quick hum isolation.Switchable boost/cut range between 6dB and 15dB Electronically balanced/unbalanced inputs Servo balanced/unbalanced outputs RF filtered inputs and outputs XLR, barrier strip, and 1/4″ TRS connectors -12dB/+12dB input gain range 18dB/octave 40Hz Bessel low-cut filter Chassis/signal ground lift capability Internal power supply transformer Power-off hardwire relay bypass with 2-second power-up delay

Dbx 215 Dual 15-Band Graphic Equalizer


Dbx 215 Dual 15-Band Graphic Equalizer


$99.99


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Dbx 1231 Dual 31-Band Graphic Equalizer


Dbx 1231 Dual 31-Band Graphic Equalizer


$109.99


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dbx 166xs Dual Compressor Limiter Regular 190839042880


dbx 166xs Dual Compressor Limiter Regular 190839042880


$148.77


Adding a dbx 166xs CompressorLimiterGate to your live sound rig or studio gives you more dynamic control to help create a more polished, professional sound. Having compression in your audio chain gives you the ability to smooth out uneven levels, add sustain to guitars and fatten up your drums. It also makes it easy to bring vocals to the front of your mix – adding greater clarity and making them stand out from the surrounding instruments. To protect your expensive amps and speakers the PeakStop limiter provides an absolute ceiling for peak excursions or large transients that could damage your equipment. dbx knows compressors…after all they invented them The 166xs is the latest in a long line of the worlds most successful compressors from the inventors of the technology. Its patented Overeasy compression technology provides smooth and musical performance while the AutoDynamic attack and release controls, found only on dbx compressors, puts great sound within easy reach. The 166xs can operate in stereo or dual-mono modes, has true RMS power summing and features quality XLR and 14 TRS inputs and outputs. It cuts no corners on visual feedback with gain reduction metering and easy-to-read backlit switches. Error proof operation to smooth uneven levels, add sustain to guitars, fatten drums or tighten up mixes New gate timing algorithms ensure the smoothest release characteristics Program-adaptive expandergates Great sounding dynamics control for any type of program material Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate setup Stereo or dual-mono operation Balanced inputs and outputs on 14 TRS and XLR connectors Side Chain insert Classic dbx Auto mode
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