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Lent/Easter Mixed Display
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Das eigene Web mit HTML, CSS und JavaScript.
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CSS Kochbuch
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DHTML and CSS Advanced.
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American Airlines Presents "Music 'Til Dawn" Vol II [IMPORT]
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La Liberacion
Fresh off their sweat and glitter fueled Coachella performance and recent co-headlining tour with Sleigh Bells, where they played sold out shows across the country, Brazilian dance-punk revelers CSS offer their third full-length, La Liberación. The new album features collaborations with Ratatat, Mike Garson (who played piano on David Bowie's "Aladdin Sane"), and Primal Scream's Bobby Gillespie on single, "Hits Me Like A Rock," that is on its way to becoming one of 2011's summer anthems. On La Liberación the Brazilian crew's core of party-starting dance pop, reggae, and punk has expanded to include new sonic tricks and a wider range of lyrical themes. Lead singer Lovefoxxx has grown as a lyricist, maintaining a balance between odes to hedonism with some genuine introspection. As frontwoman Lovefoxxx recently told SPIN Magazine, "Actually, I have more energy than I used to. I'm like the Benjamin Button of music - getting younger all the time." CSS have toured with Ladytron, Gwen Stefani, and Klaxons. The new material was recorded during a well-deserved break after several grueling years of worldwide touring. Fittingly, La Liberación is the sound of the band reinvigorated and revitalized. Each track will have listeners tapping toes and singing along by the time the second chorus hits. The group has also announced a US tour that kicks off in October.
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Cansei De Ser Sexy
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American Plastic Toy Picnic Table
* Supports Up to 170 lbs. * Measures 31 1/2" x 34" x 18 3/4"
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Cansei De Ser Sexy
From Brazil, CSS is the first South American band Sub Pop has foisted upon the global marketplace. The title is Portuguese for "Tired Of Being Sexy" and the sound is a thick, pulsating thing full of haphazard synths and a come-on of call and response that tears down any attempt at posturing. It's equal parts rock mantra and throwback into something new, transcending boundaries of genre and geography. It goes full speed into dance territory, into the unknown and untouched, to emerge all hot and bothered with wild electro-rock. Quick, tightly-wound, unfastened, and supreme.
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Caribbean Carnival: Soca Party, Vol. 7
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