Archive for December, 2010

Tascam IFFWDM MKII 32 Channel Firewire Expansion Board

December 31st, 2010

Tascam Dm-3200 Digital Mixer


Tascam Dm-3200 Digital Mixer


$2299.99


More channels. More inputs. The new TASCAM DM-3200 digital mixer has more of everything that made the DM-24 a pedigreed studio workhorse. Plus an improved physical interface with per-channel multi-function LED ring encoders, more comprehensive DAW control, vastly improved routing flexibility, easier and robust data backup/ restore, greatly expanded mix storage using compact flash media and much more.The DM-3200 features 32 full-featured channels and 16 returns for a total of 48 channels at mixdown – even at its full 96kHz / 24-bit audio resolution. It has 4-band fully-parametric EQ and dynamics on every channel and two effects processors, each capable of running the built-in TC Works reverb processor. Surround mixing is available with up to 6.1-channel panning, and the optional IF-SM/DM expansion card adds surround monitoring and downmixing to the DM-3200.The DM-3200 provides a new way to record with DAW recording software. With the addition of an optional expansion card, the IF-FW/DM FireWire interface, the DM-3200 becomes a 24-channel computer audio interface, making it a complete studio solution for professional DAW recording. Built-in HUI and Mackie Control emulation allows the console to function as a flexible control surface for workstation software. This gives you the best of both worlds – total control over your recording software transport and mixing capabilities with the cue mixing, talkback, microphone preamps and world-class automation provided by the DM-3200.32 channels and 16 auxiliary returns for 48 total inputs16 buses configurable as two 6.1 surround sends8 Aux Sends16 analog mic/line inputs with phantom power for condenser mics, analog inserts and -20dB pad switch24 channels of TDIF and 8 channels of ADAT built in2 expansion card slots support optional FireWire, ADAT, AES/EBU, Analog & TDIF cardsDedicated cascade port supports cascade of two DM-3200sPer channel LED ring encoders for pan, aux sends and EQBuilt-in DAW controlAll inputs, effects and processing are available at 96k — no features are sacrificed at full sampling rateTransport controls control DAW, HDR or tape playbackDedicated DAW control surface layer for Digidesign Pro Tools, Cakewalk SONAR, MOTU DP, Apple Logic, Steinberg Cubase and NuendoPowerful automation with touch-sensitive motorized faders4-band parametric EQ and dynamics on each channel32-bit internal resolution with 64-bit EQ resolutionTwo built-in effects processors include TC Works reverb processingFlexible routing route from virtually any input to any outputBack up mix data to convenient Compact Flash media slot or to USBOptional MU-1000 meter bridgeStylish, professional design with rear panel I/O connectionsTASCAM Mixer Companion software (Win XP/OSX) with:Driverless USB connection to computerBackup/restore data via USBOn screen timecode, transport and meter d

Tascam Dp-32Sd Digital 32-Track Portastudio


Tascam Dp-32Sd Digital 32-Track Portastudio


$599.99


The TASCAM DIGITAL PORTASTUDIO DP-32SD is one of the best and most affordable ways to remove the mind-numbing glow of the computer screen from personal recording. It’s safe to say, that after decades of manufacturing and transforming Portastudios, TASCAM has revolutionized the series once again. Employing 8 combo 1/4″ – XLR inputs with +48V Phantom Power, 32 tracks (8 mono, 12 stereo) the ability to select between stereo and mono and an affluence of other key features, TASCAM DIGITAL PORTASTUDIO DP-32SD is an obvious choice for multi-channel home recording. The DP-32SD is just like its brother the DP-32, but without the built-in CDR/RW drive for recording media. Utilizing SD/SDHC media ensures confident recording, free from shock due to loud soundsThe DP-32SD adopted use of SD/SDHC media. SD/SDHC cards provide secure shock resistance due to the absence of any rotary mechanism. File format of the DP-32SD is FAT 16 or 32. You can find the recorded files on your computer when connected via USB.The last 12 faders are selectable between MONO and STEREOThe DP-32SD has 12 selectable tracks between MONO or STEREO. These tracks provide more flexibility. For example, set to STEREO for recording synthesizer, or set to MONO when recording guitar or vocal. Not only that, you can create ideal settings for each track. (set #9 to #12 STEREO, then set #13 to #22 MONO) If all tracks are set to MONO the DP-32SD becomes a 20-track multi track recorder.21 faders eliminates layer structuringThe DP-32SD, even with the high number of tracks and features is one of the easiest multi-track recorders in the market to use. The DP-32SD has 20 track-faders and one master fader. You can control any track with ease.The 3.5″ full-color LCD and the self-illuminated buttons increase visibilityThe DP-32SD has a 3.5″ LCD screen and select self-illuminated buttons, making it easy to view yoSimultaneous 32-track playbackEight mono tracks and 12 mono/stereo selectable tracksFile transferring via USB 2.0 (cable sold separately)21 faders (19 track-faders and one master fader)Simultaneous 8-track recording

Focusrite ISA430 MKII Producer Pack


Focusrite ISA430 MKII Producer Pack


$1999.99


Focusrites ISA range is based around the original no compromise designs that recording console design legend Rupert Neve built for Sir George Martin back in the mid-1980s, and every unit delivers the sought-after Focusrite Heritage Sound that lies behind hundreds of top class recordings made over the intervening years in the worlds leading studios. With the ISA Range, you can put that sound at the heart of your own workand the ISA 430 MkII is the most sophisticated of them all: a complete channel strip in which every element can be used independently or patched in virtually any orderincluding a classic mic pre, versatile EQ, VCA/optical compressor, expander/gate and de-esser.Inside the 2U rack-mount enclosure, the ISA 430 MkII features a Lundahl transformer-input microphone preamplifier and equaliser based on the original ISA 110. Virtually all Focusrite has changed is to give the mic pre a variable input impedance to get the best out of any microphone, modern or vintage, accurately or for effect. Theres also a special air button that opens out the sound without EQ.The equaliser itself features two separate parametric bands plus shelving low and high frequencies, high- and low-pass filters and the ability to switch individual EQ elements into the compressor side-chain for frequency-conscious compression, gate keying and other effects. Indeed, the four powerful processors that make up the ISA 430 MkII can all be used independently or patched into each other in a variety of ways for maximum versatility.The dynamics section, once again, recalls the original Trevor Stride/Rupert Neve ISA 130 that dates back to 1987. It features a sophisticated expander/gate section as well as a versatile compressor, both featuring modern transparent VCA-based control elements for maximum compression without artefacts. But in addition, the compressor also features the original vintage optical design for a truly traditional sound, and you can also miClassic Focusrite transformer-based mic pre with variable impedance and “Air” featureMulti-format compressor switches between transparent VCA and vintage optical circuitsUnmatched flexibility with an incredible variety of insert points and variable signal path arrangementsFunctions as 4 separate modular processors: mic pre, EQ, dynamics, and stereo ADCPrecision VU metering of input level, Insert 1 or 2 Return levelsCompressor gain reduction or sidechain listen level (switched)Classic Focusrite EQ design; an expanded version of the original ISA 110Post mic pre output for the shortest possible signal pathProprietary Focusrite discrete Class A VCA gate and expander designsListen feature for precise control over compression, gating, expansion, and de-essingDe-esser design based on optical technology for lower distortion and transparencySoft limiter to avoid critical digital overloadOptional stereo A/D 24-bit 192kHz Delta Sigma conver

Focusrite Isa430 Mkii Producer Pack


Focusrite Isa430 Mkii Producer Pack


$1999.99


Focusrites ISA range is based around the original no compromise designs that recording console design legend Rupert Neve built for Sir George Martin back in the mid-1980s, and every unit delivers the sought-after Focusrite Heritage Sound that lies behind hundreds of top class recordings made over the intervening years in the worlds leading studios. With the ISA Range, you can put that sound at the heart of your own workand the ISA 430 MkII is the most sophisticated of them all: a complete channel strip in which every element can be used independently or patched in virtually any orderincluding a classic mic pre, versatile EQ, VCA/optical compressor, expander/gate and de-esser.Inside the 2U rack-mount enclosure, the ISA 430 MkII features a Lundahl transformer-input microphone preamplifier and equaliser based on the original ISA 110. Virtually all Focusrite has changed is to give the mic pre a variable input impedance to get the best out of any microphone, modern or vintage, accurately or for effect. Theres also a special air button that opens out the sound without EQ.The equaliser itself features two separate parametric bands plus shelving low and high frequencies, high- and low-pass filters and the ability to switch individual EQ elements into the compressor side-chain for frequency-conscious compression, gate keying and other effects. Indeed, the four powerful processors that make up the ISA 430 MkII can all be used independently or patched into each other in a variety of ways for maximum versatility.The dynamics section, once again, recalls the original Trevor Stride/Rupert Neve ISA 130 that dates back to 1987. It features a sophisticated expander/gate section as well as a versatile compressor, both featuring modern transparent VCA-based control elements for maximum compression without artefacts. But in addition, the compressor also features the original vintage optical design for a truly traditional sound, and you can also miClassic Focusrite transformer-based mic pre with variable impedance and “Air” featureMulti-format compressor switches between transparent VCA and vintage optical circuitsUnmatched flexibility with an incredible variety of insert points and variable signal path arrangementsFunctions as 4 separate modular processors: mic pre, EQ, dynamics, and stereo ADCPrecision VU metering of input level, Insert 1 or 2 Return levelsCompressor gain reduction or sidechain listen level (switched)Classic Focusrite EQ design; an expanded version of the original ISA 110Post mic pre output for the shortest possible signal pathProprietary Focusrite discrete Class A VCA gate and expander designsListen feature for precise control over compression, gating, expansion, and de-essingDe-esser design based on optical technology for lower distortion and transparencySoft limiter to avoid critical digital overloadOptional stereo A/D 24-bit 192kHz Delta Sigma conver

Tascam Fireone Firewire Audio And Control Interface


Tascam Fireone Firewire Audio And Control Interface


$149


The TASCAM FireOne is a FireWire audio interface with shortcut keys and a weighted, illuminated jog wheel that let you interact more creatively and intuitively with your computer and your music. The FireOne records using two mic inputs and provides two outputs overhigh-speed FireWire at 24-bit/96kHz audio resolution. The FireOne’s most unique feature is its large, weighted, backlit jog wheel that allows musicians to zip through their song while the backlight provides useful feedback such as a visual metronome. In addition, the FireOne has easy-to-use tapedeck-like transport keys and eight shortcut keys to control functions in most popular DAW applications.The FireOne features a pair of mic inputs with phantom power and pad switches. A front panel guitar input allows convenient direct recording of guitar or bass. MIDI input and output are also provided for 16 channels of MIDI. FireOne comes with Ableton Live Lite TASCAM Edition multitrack recording software, so you’ll be set to begin creating music right out of the box.2-in/2-out FireWire audio interfaceUp to 24-bit/96kHz audio resolution2 XLR mic inputs with phantom power and pad1/4″ high impedance input for recording guitar directTwo 1/4″ stereo headphone outputsWeighted, backlit jog wheelTransport control keys: rewind, fast-forward, stop, play, recordHeadphone output with level controlEight DAW shortcut keysStereo LED meterMIDI in and out1/4″ footswitch inputPowered by FireWire bus or included power supplyAbleton Live Lite 6 TASCAM Edition multitrack recording software

HKTS 2 MkII


HKTS 2 MkII


$199.95


2.1 channel home theater system with 200W subwoofer

Motu 828Mk3 Hybrid Firewire Audio Interface


Motu 828Mk3 Hybrid Firewire Audio Interface


$749


As a hybrid audio interface, the 828mk3 provides flexible connectivity to any Mac or PC via FireWire or high-speed USB 2.0, with 10 channels of pristine 192kHz analog recording and playback, combined with sixteen channels of ADAT digital I/O and stereo S/PDIF. Expand your system by connecting additional MOTU audio interfaces or the 8pre mic input expander.Tons of I/OThe 828mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 828mk3 provides 28 separate inputs and 30 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.On-board digital mixer with effects for monitoring and live mixingConnect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer-with no latency and no processor strain on your computer. Apply hardware DSP-driven compression, EQ, and reverb to every input and output, independent of your host computer. When recording from the mic/guitar inputs, the 828mk3′s signal overload protection gives you an extra 12dB of headroom above zero with no digital clipping or harsh artifacts.Advanced audio analysis toolsAnalyze and scope your audio with advanced diagnostic tools, including a full-screen realtime FFT display, spectrogram waterfall display, full-featured oscilloscope, X-Y plot, and linear/polar phase analysis graphs.Standalone operation as a mixerAfter programming the on-board mixing in the studio, unplug the 828mk3 from the computer and take it on the road for operation as a Standalone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.Across-the-board compatibilityThe 8Hybrid FireWire/USB2 connectivity lets you connect to your computer via either bus-powered FireWire or hi-speed USB2CueMix FX – flexible 28 input/16 bus mixer with on-board DSP effects, including reverb with sends/returns, plus EQ and compression on every input and output28 inputs / 30 outputs (at 44.1/48 kHz) – there’s no channel sharing in the 828mk3; the mic inputs, S/PDIF I/O, headphone out and main outs are all handled as separate channelsFront-panel control lets you access any setting in your entire 828mk3 mix directly from the front panelStandalone operation lets you program your mixes at the studio and then bring the 828mk3 to your gig with no computer neededTweak your mix on site using the back-lit LCD and front-panel controlsMultiple CueMix FX mixes – create different monitor mixes for the main outs and headphones, or add send/return loops for outboard gear with no latencyTwo front panel combo jacks provide hi

MOTU 828mk3 Hybrid Firewire Audio Interface


MOTU 828mk3 Hybrid Firewire Audio Interface


$749


As a hybrid audio interface, the 828mk3 provides flexible connectivity to any Mac or PC via FireWire or high-speed USB 2.0, with 10 channels of pristine 192kHz analog recording and playback, combined with sixteen channels of ADAT digital I/O and stereo S/PDIF. Expand your system by connecting additional MOTU audio interfaces or the 8pre mic input expander.Tons of I/OThe 828mk3 is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the 828mk3 provides 28 separate inputs and 30 separate outputs, including dedicated main outs on XLRs and two front panel headphone outs.On-board digital mixer with effects for monitoring and live mixingConnect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines and even effects processors. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer-with no latency and no processor strain on your computer. Apply hardware DSP-driven compression, EQ, and reverb to every input and output, independent of your host computer. When recording from the mic/guitar inputs, the 828mk3′s signal overload protection gives you an extra 12dB of headroom above zero with no digital clipping or harsh artifacts.Advanced audio analysis toolsAnalyze and scope your audio with advanced diagnostic tools, including a full-screen realtime FFT display, spectrogram waterfall display, full-featured oscilloscope, X-Y plot, and linear/polar phase analysis graphs.Standalone operation as a mixerAfter programming the on-board mixing in the studio, unplug the 828mk3 from the computer and take it on the road for operation as a Standalone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD.Across-the-board compatibilityThe 8Hybrid FireWire/USB2 connectivity lets you connect to your computer via either bus-powered FireWire or hi-speed USB2CueMix FX – flexible 28 input/16 bus mixer with on-board DSP effects, including reverb with sends/returns, plus EQ and compression on every input and output28 inputs / 30 outputs (at 44.1/48 kHz) – there’s no channel sharing in the 828mk3; the mic inputs, S/PDIF I/O, headphone out and main outs are all handled as separate channelsFront-panel control lets you access any setting in your entire 828mk3 mix directly from the front panelStandalone operation lets you program your mixes at the studio and then bring the 828mk3 to your gig with no computer neededTweak your mix on site using the back-lit LCD and front-panel controlsMultiple CueMix FX mixes – create different monitor mixes for the main outs and headphones, or add send/return loops for outboard gear with no latencyTwo front panel combo jacks provide hi

Startech PEX1394B3 Firewire PCI Express Card


Startech PEX1394B3 Firewire PCI Express Card


$84.24


This 3 Port PCI Express FireWire adapter card can be installed in a PCI Express slot to add two IEEE1394b (FireWire 800 – 9 pin) ports and one IEEE1394a (FireWire 400 – 6 pin) port providing broad compatibility with a wide range of FireWire devices (e.g. DV camcorders external hard drives digital cameras etc.).The 2b 1a card features a native (single chip) PCI Express chipset – resulting in faster more reliable and cost effective performance than expansion cards that utilize abridge chip.Add 3 FireWire ports to a standard or small form factor (SFF) computer with support for high-powered FireWire devices.Utilizes a native PCI Express chipset design rather than a bridge chip ensuring a fast reliable and cost-effective FireWire expansion.Two 9-pin FireWire 800 ports each with transfer rates up to 800Mbps.One 6-pin FireWire 400 port each with transfer rates up to 400Mbps.Built with a native PCI Express chipset no bridge chip.Includes low profile/half-height installation bracket.Internal power connector for high powered FireWire devices.Compliant with IEEE 1394b and backwards compatible with IEEE 1394a – 2000 as well as 1394-1995 standards.Plug-and-Play and hot-swap compatible.Add a high speed FireWire port to a desktop without any FireWire ports.Connect a digital camera to a desktop with a PCI Express slot to download photos and video.Connect a high-speed external hard drive to a PCI Express-enabled system.Technical Specifications.Warranty Lifetime.Bus Type PCI Express.External Ports 1 – Firewire 400 (6 pin; IEEE 1394a) Female.External Ports 2 – Firewire 800 (9 pin; IEEE 1394b) Female.Industry Standards IEEE-1394/1394A/1394B.OHCI.PCI 2.2.Interface FireWire 800.Maximum Data Transfer Rate 800000000 Kbits/Sec.Number of Ports 3.Humidity 0 90% RH.Operating Temperature 0 C to 70 C (32 F to 158 C).Storage Temperature -20 C to 90 C (-4 F to

MOTU 2408 MKII Audio Interface


MOTU 2408 MKII Audio Interface


$89.99


NOT A FIREWIRE INTERFACE! REQUIRES MOTU 324 OR 424 PCI/PCI-E CARD. Includes power cable.This product does not include software..

Line 6 Fbv Express Mkii Guitar Footswitch Black


Line 6 Fbv Express Mkii Guitar Footswitch Black


$99.99


Line 6′s FBV Express MKII Guitar Footswitch offers all the classic advantages you expect from a Line 6 foot controller, including rock-solid channel switches, a rugged wah/volume pedal and a chromatic tuner display but it’s also full of surprises. The steel footswitches are built for constant stomping. They make it easy to store and select four channel presets, to synchronize time-based effects with Tap Tempo, and to activate the chromatic tuner. The burly, full-sized volume/wah pedal feels solid under your foot and features plenty of grip. Clicking the toe switch toggles between volume and wah control.FBV Express MKII footswitch connects to your Line 6 amp or POD effect processor via the included locking RJ-45 cable. Perfectly paired with Spider IV and Spider Valve MKII guitar amplifiers, the FBV footswitch provides complete, handsfree control of the looper, pitch-shifter and other on-board amplifier effects.Hands-free channel switching and more for your Line 6 amp and PODFootswitches and chassis are constructed of reliable steel4 channel switches: A, B, C and DChromatic tuner displayVolume/wah pedal is burly, full-sized and features plenty of gripBright LEDs show active channel, tap tempo and volume or wahSelf-powered via included locking RJ-45 cableUSB jack, RJ-45 jack

Line 6 FBV Express MKII Guitar Footswitch Black


Line 6 FBV Express MKII Guitar Footswitch Black


$99.99


Line 6′s FBV Express MKII Guitar Footswitch offers all the classic advantages you expect from a Line 6 foot controller, including rock-solid channel switches, a rugged wah/volume pedal and a chromatic tuner display but it’s also full of surprises. The steel footswitches are built for constant stomping. They make it easy to store and select four channel presets, to synchronize time-based effects with Tap Tempo, and to activate the chromatic tuner. The burly, full-sized volume/wah pedal feels solid under your foot and features plenty of grip. Clicking the toe switch toggles between volume and wah control.FBV Express MKII footswitch connects to your Line 6 amp or POD effect processor via the included locking RJ-45 cable. Perfectly paired with Spider IV and Spider Valve MKII guitar amplifiers, the FBV footswitch provides complete, handsfree control of the looper, pitch-shifter and other on-board amplifier effects.Hands-free channel switching and more for your Line 6 amp and PODFootswitches and chassis are constructed of reliable steel4 channel switches: A, B, C and DChromatic tuner displayVolume/wah pedal is burly, full-sized and features plenty of gripBright LEDs show active channel, tap tempo and volume or wahSelf-powered via included locking RJ-45 cableUSB jack, RJ-45 jack

Focusrite Isa428 Mkii


Focusrite Isa428 Mkii


$1499.99


Focusrite’ ISA mic preamps can be traced back to 1985, when console designer Rupert Neve was asked by Sir George Martin to create new modules for the console at AIR Montserrat. The modules he created included the legendary ISA110, on which all ISA microphone preamps are based. With their characteristic Lundahl LL1538 input transformer, along with one concession to modernityvariable input impedanceISA mic preamps are very much the same as they were 30 years ago. But today, instead of solely gracing the consoles at AIR, ISA mic pres are at the heart of hundreds of hits made in leading studios and by leading engineers, artists and producers, across the world.Now in its second generation, the ISA 428 MkII incorporates four of Focusrite’ renowned mic pres in a simple-to-operate 2U enclosure, placing four mic preamps, instrument inputs and line ins at your fingertips. The original Focusrite mic pre was designed to suit the microphones of the time; today’ model makes a small change, adding three additional input impedances to the classic ISA110 setting, allowing you to match any microphone, old or new, and access a wide range of sounds, from the character and warmth of a vintage mic to the clear transparency of a modern design. Or you can experiment and bring out just the qualities you want.In addition to the mic inputs, there are four front-panel instrument inputs, making the ISA428 MkII ideal for overdubs in the control room with no need for a DI box. On the back: four line inputs and switchable insert points on each channel to allow routing via external signal processors. There’ also a versatile, vintage design variable high-pass filter to control what’ going on at the bass end. And finally accurate, 6-LED meters to tell you exactly what’ going down. Optionally available for the ISA428 MkII is a precision eight-channel A-D converter with 122dB dynamic range and superb jitter performanceideal for simple interfacing with your DAW.Four ISA series transformer-based preampsEight-channel optional A-D converterSelectable impedanceFour front panel instrument inputsDedicated analogue insert pointsAccurate LED meters for every channel

Focusrite ISA428 MKII


Focusrite ISA428 MKII


$1499.99


Focusrite’ ISA mic preamps can be traced back to 1985, when console designer Rupert Neve was asked by Sir George Martin to create new modules for the console at AIR Montserrat. The modules he created included the legendary ISA110, on which all ISA microphone preamps are based. With their characteristic Lundahl LL1538 input transformer, along with one concession to modernityvariable input impedanceISA mic preamps are very much the same as they were 30 years ago. But today, instead of solely gracing the consoles at AIR, ISA mic pres are at the heart of hundreds of hits made in leading studios and by leading engineers, artists and producers, across the world.Now in its second generation, the ISA 428 MkII incorporates four of Focusrite’ renowned mic pres in a simple-to-operate 2U enclosure, placing four mic preamps, instrument inputs and line ins at your fingertips. The original Focusrite mic pre was designed to suit the microphones of the time; today’ model makes a small change, adding three additional input impedances to the classic ISA110 setting, allowing you to match any microphone, old or new, and access a wide range of sounds, from the character and warmth of a vintage mic to the clear transparency of a modern design. Or you can experiment and bring out just the qualities you want.In addition to the mic inputs, there are four front-panel instrument inputs, making the ISA428 MkII ideal for overdubs in the control room with no need for a DI box. On the back: four line inputs and switchable insert points on each channel to allow routing via external signal processors. There’ also a versatile, vintage design variable high-pass filter to control what’ going on at the bass end. And finally accurate, 6-LED meters to tell you exactly what’ going down. Optionally available for the ISA428 MkII is a precision eight-channel A-D converter with 122dB dynamic range and superb jitter performanceideal for simple interfacing with your DAW.Four ISA series transformer-based preampsEight-channel optional A-D converterSelectable impedanceFour front panel instrument inputsDedicated analogue insert pointsAccurate LED meters for every channel

Tascam Portable 2-Channel Linear Pcm Recorder


Tascam Portable 2-Channel Linear Pcm Recorder


$399.99


The DR-100mkIII features dual AKM AK4558 converters with VELVET SOUND architecture, providing both high sound quality and low power consumption, achieving a signal-to-noise ratio of 102dB. By eliminating interference between left and right channels, signal-to-noise ratio is maximized and audio fidelity is improved. In addition, each of those AD converters can work in a Dual ADC mode. The two AD converters work in tandem then combine their results for a 109dB S/N ratio, beating the (already excellent) 102dB S/N ratio achieved when recording in standard mode. The XLR/TRS inputs deliver the highest sound quality and lowest noise of any TASCAM Handheld Digital Recorder. HDDA (High Definition Discrete Architecture) mic preamps are also included to maintain a pristine audio signal path throughout The omnidirectional stereo microphone setup features a sound pressure level tolerance of 125dB SPL and includes an integrated shock mount structure to suppress unwanted vibration and handling noise. The TASCAM DR-100mkIII supports high definition recording at both 96kHz/24bit and 192kHz/24, ensuring that remote recordings achieve the same sonic fidelity as their studio-born counterpartsThe precision of the built-in clock is crucial when digital recordings made on what device are to be used in conjunction with materials recorded on other devices, such as when combining digital audio and video assets. To ensure stability, the DR-100mkIII utilizes the same Temperature-Compensated Crystal Oscillator (TCXO) used in professional studio master recorders. Moreover, the TCXO is not affected by the temperature of the environment, critical for a portable device which must maintain its precision in support of high-quality recording.The user interface has been designed to maximize visual confirmation, and includes a large LCD screen (double the size of the screen on the DR-100mkII), dedicated status LEDs for features such as record levels and status and eS/N ratio of 102dBDual mono mode provides a S/N ratio of 109dBXLR/TRS inputs and built-in low-noise HDDA mic preampsOnboard dual (directional/omnidirectional) stereo Supports up to 192kHz/24bit recordingLithium-ion battery can be used alongside AA batteriesAA batteries may be replaced during operation for uninterrupted recordingLocking XLR/TRS combo jacks made by AmphenolTough aluminum body for years of reliable useHigh-precision clock featuring a temperature-compensated crystal oscillator (TCXO)Large LCD screen and dedicated status LEDsSelect hardware switches for quick and positive setting control

Tascam Dp-03Sd 8-Channel Portastudio


Tascam Dp-03Sd 8-Channel Portastudio


$299.99


The DP-03SD is an affordable way to get into TASCAM’s famed Portastudio system of making recording simple and affordable for musicians. The 8-track digital recorder captures your music at CD quality to affordable SD/SDHC cards, and a 4GB card is included with the recorder. With built-in microphones, effects, and mastering, the DP-03SD provides everything musicians need to record and share their music.A pair of stereo condenser microphones is built into the front panel of the DP-03, helpful for capturing a rehearsal, live performance or songwriting ideas. Also included are a pair of high-quality XLR microphone preamps with phantom power for condenser microphones. 1/4 line inputs are also available, and an instrument-level switch allows you to record a guitar or bass without a direct box. A three-button footswitch, the RC-3F, is available for control and punch in.Routing the inputs to one of the eight tracks is simple, and you can record two at a time until you fill up all eight. A tuner and metronome are built-in for tight-sounding tracks, each with its own dedicated button for quick access. Track can be edited with commands like copy/paste, silence, clone track and undo. Bouncing is also available, even bouncing all eight tracks down to one or two. Theres even the option to import a WAV file through USB.Each track has its own send to a stereo reverb processor as well as two-band shelving EQ. Once youve perfected your mix with the 45mm faders, pan knobs, reverb and EQ, record it to the dedicated stereo master track. Your mix can be processed with mastering effects like EQ and limiting for a tight, modern sound. When youre satisfied, transfer your mix to a computer over USB 2.0.8-track Digital Portastudio Records to SD/SDHC Card mediaImport WAV files from USBBuilt-in stereo condenser microphoneTwo XLR microphone inputs with phantom power

Tascam Dslr Camera 4 Channel Audio Recorder


Tascam Dslr Camera 4 Channel Audio Recorder


$299.99


Save BIG when you buy today!

Softube Console 1 Mkii


Softube Console 1 Mkii


$499


Three years after the introduction of the Console I, the design team at Softube decided it was time for an update. The Console 1 system is well-accepted in many studio environments as a capable DAW control that is efficient in terms of both physical footprint, capacity and cost, and this upgraded, updated reimagining of one of the best control surface ideas to come along provides more detailed control, great sound and a price breakthrough.You can quickly switch between your tracks and control EQ, compressor, gate and more. Mix with the sound of the included Solid State Logic SL 4000 E. You can also customize your channels to fit your needsthere are over 60 Console 1 ready plug-ins available from Softube and Universal Audio.The Console 1 hardware gives you hands-on control of EQ, compressor, gate, volume and pan on all your tracks. No MIDI mapping is neededthe hardware is tightly integrated with the Console 1 software, straight out of the box. Pamper your tracks with the sound of the legendary Solid State Logic SL 4000 E consoleprobably the most used high end console in the history of music recording. Softube’s emulation was developed in close collaboration with SSL, and it’s included with the purchase of Console 1. Customize your channels with any of the over 60 available Console 1 ready plug-ins from Softube and Universal Audio. Mix and match units from Fairchild, Teletronix, Tube-Tech, Abbey Road Studios and many others. Pre-mapped and ready to go.Console 1 is a premium Swedish design, built to last for many years of mixing. Its steel chassis makes it solid as a rock, and the knobs and buttons have the responsiveness and feel you’d expect from a high-end analog console.In addition to single Console 1 ready plug-ins, there are entire Console 1 channel strips available, with EQ, compressor, gate and modeled saturation from the original analog hardware. Currently, the options are Solid State Logic XL 9000 K-Series foA unique centerpiece for any DAW based studioIncluded model of Solid State Logic SL 4000 E consoleExpand the system with over 60 Console 1 ready plug-ins from Softube and Universal AudioNo mouse, no mapping, no hasslePremium quality hardwareMk II version offers same quality at a more affordable price

Softube Console 1 MKII


Softube Console 1 MKII


$499


Three years after the introduction of the Console I, the design team at Softube decided it was time for an update. The Console 1 system is well-accepted in many studio environments as a capable DAW control that is efficient in terms of both physical footprint, capacity and cost, and this upgraded, updated reimagining of one of the best control surface ideas to come along provides more detailed control, great sound and a price breakthrough.You can quickly switch between your tracks and control EQ, compressor, gate and more. Mix with the sound of the included Solid State Logic SL 4000 E. You can also customize your channels to fit your needsthere are over 60 Console 1 ready plug-ins available from Softube and Universal Audio.The Console 1 hardware gives you hands-on control of EQ, compressor, gate, volume and pan on all your tracks. No MIDI mapping is neededthe hardware is tightly integrated with the Console 1 software, straight out of the box. Pamper your tracks with the sound of the legendary Solid State Logic SL 4000 E consoleprobably the most used high end console in the history of music recording. Softube’s emulation was developed in close collaboration with SSL, and it’s included with the purchase of Console 1. Customize your channels with any of the over 60 available Console 1 ready plug-ins from Softube and Universal Audio. Mix and match units from Fairchild, Teletronix, Tube-Tech, Abbey Road Studios and many others. Pre-mapped and ready to go.Console 1 is a premium Swedish design, built to last for many years of mixing. Its steel chassis makes it solid as a rock, and the knobs and buttons have the responsiveness and feel you’d expect from a high-end analog console.In addition to single Console 1 ready plug-ins, there are entire Console 1 channel strips available, with EQ, compressor, gate and modeled saturation from the original analog hardware. Currently, the options are Solid State Logic XL 9000 K-Series foA unique centerpiece for any DAW based studioIncluded model of Solid State Logic SL 4000 E consoleExpand the system with over 60 Console 1 ready plug-ins from Softube and Universal AudioNo mouse, no mapping, no hasslePremium quality hardwareMk II version offers same quality at a more affordable price

Apogee Symphony I/O Mkii Protools Hd Option Card


Apogee Symphony I/O Mkii Protools Hd Option Card


$995


Symphonys I/O modules are designed to future-proof your investment in flagship Apogee sound quality. If you own an original Symphony I/O, the Symphony I/O Mk II chassis can increase the longevity of your system by offering backwards compatibility with first generation 26, 88, 1616 and 8 channel mic preamp I/O modules.Pro Tools HD Option CardSymphony I/O Mk II HD is designed for the Pro Tools HD user who needs a multi-channel audio interface with the best sound quality at an incredible cost per channel value. Whether using a Mac or PC based studio, Symphony I/O Mk II HD can connect directly to your Pro Tools HDX, Pro Tools HD Native or Pro Tools Core/Accel systems.Symphony I/O Mk II HD can be utilized alongside or in place of Avid or Digidesign interfaces for Pro Tools HD. In fact, each I/O module installed in Symphony I/O Mk II HD appears and functions in Pro Tools HD the same if it were a separate Avid HD I/O interface, so set up is easy and you can take advantage of important Pro Tools features such as sample-accurate delay compensation.A single Symphony I/O Mk II HD unit can have up to 32 simultaneous analog I/O, so you can have more channels with less rack gear. Need even more channels? You can utilize multiple units simultaneously, with one Symphony I/O Mk II HD per every Pro Tools HD port in your system. Calibrating your I/O is easy with Symphony I/O Mk II HDs front panel touchscreen.Best performance of any multi-channel Pro Tools HD interfaceBest cost per channel value of any Pro Tools HD interface solutionConnects directly to any Pro Tools HD system (Mac or PC)Emulates Avid HD I/O interface, including sample-accurate delay compensationConnect multiple units in a single system (1 unit per HD port)Easy I/O calibration with front panel touchscreen

Apogee Symphony I/O MKII ProTools HD Option Card


Apogee Symphony I/O MKII ProTools HD Option Card


$995


Symphonys I/O modules are designed to future-proof your investment in flagship Apogee sound quality. If you own an original Symphony I/O, the Symphony I/O Mk II chassis can increase the longevity of your system by offering backwards compatibility with first generation 26, 88, 1616 and 8 channel mic preamp I/O modules.Pro Tools HD Option CardSymphony I/O Mk II HD is designed for the Pro Tools HD user who needs a multi-channel audio interface with the best sound quality at an incredible cost per channel value. Whether using a Mac or PC based studio, Symphony I/O Mk II HD can connect directly to your Pro Tools HDX, Pro Tools HD Native or Pro Tools Core/Accel systems.Symphony I/O Mk II HD can be utilized alongside or in place of Avid or Digidesign interfaces for Pro Tools HD. In fact, each I/O module installed in Symphony I/O Mk II HD appears and functions in Pro Tools HD the same if it were a separate Avid HD I/O interface, so set up is easy and you can take advantage of important Pro Tools features such as sample-accurate delay compensation.A single Symphony I/O Mk II HD unit can have up to 32 simultaneous analog I/O, so you can have more channels with less rack gear. Need even more channels? You can utilize multiple units simultaneously, with one Symphony I/O Mk II HD per every Pro Tools HD port in your system. Calibrating your I/O is easy with Symphony I/O Mk II HDs front panel touchscreen.Best performance of any multi-channel Pro Tools HD interfaceBest cost per channel value of any Pro Tools HD interface solutionConnects directly to any Pro Tools HD system (Mac or PC)Emulates Avid HD I/O interface, including sample-accurate delay compensationConnect multiple units in a single system (1 unit per HD port)Easy I/O calibration with front panel touchscreen

Line 6 122079 FBV Express MKII 4-Button Foot Controller


Line 6 122079 FBV Express MKII 4-Button Foot Controller


$238.65


Get hands-free channel switching and more for your Line 6 amp and POD with the FBV Express(TM) MkII foot controller! The steel foot switches make it easy to store and select four channel presets to synchronize time-based effects with Tap Tempo and to activate the chromatic tuner. The burly full-sized volume/wah pedal feels solid under your foot and features plenty of grip. FBV Express MkII connects to your Line 6 amp or POD via the included locking RJ-45 cable. It pairs perfectly with Spider IV and Spider Valve(TM) MkII guitar amplifiers to offer complete hands-free control of the looper pitch-shifter and other on-board amplifier effects. FBV Express MkII is compatible with most Line 6 amplifiers and POD processors. Features4-Button Foot ControllerSpecificationsDimension: 4.75 H x 10 W x 13.25 LWeight: 4.49 lbs

One Control Iguana Tail Loop MKII 5-Loop Switcher


One Control Iguana Tail Loop MKII 5-Loop Switcher


$199


The Iguana from One Control is a five-channel loop switcher equipped with six DC outputs. The loops are all true bypass and it also has a separate tuner output. Perfect for pedals or tuners that seem to be affecting your tone while not in use. Powered by a standard 9V power supply and can be used passively if so desired, however power outputs will not be active.The Iguana is a great product for any guitarist who loves pedals. Like most passive loopers, the Iguana will ensure that all of your pedals are true bypass. Also the Iguana has a tuner output/mute switch so that your tuner is also out of your signal chain.In addition to having audio loops, the Iguana has 6 DC outputs so you can power up to 6 attached units. In terms of having a clean easy to use pedalboard, the DC out option is extremely useful.With most vintage pedals the internal buffer isn’t something you’d want your signal chain. By making every pedal true bypass, you can achieve a clearer signal.Having various pedals with different shapes and sizes can make it a challenge to stomp pedals one by one in a live situation. With the Iguana all of your switches have the same size and are easily lined up with bright LEDs making it very easy to see whether you pedals are active or not.The Iguana is a great product for the gigging guitarists who want to simplify his or her pedal board.Five-channel loop switchingTrue-bypass operationPower up to six pedals from your board

One Control Iguana Tail Loop Mkii 5-Loop Switcher


One Control Iguana Tail Loop Mkii 5-Loop Switcher


$199


The Iguana from One Control is a five-channel loop switcher equipped with six DC outputs. The loops are all true bypass and it also has a separate tuner output. Perfect for pedals or tuners that seem to be affecting your tone while not in use. Powered by a standard 9V power supply and can be used passively if so desired, however power outputs will not be active.The Iguana is a great product for any guitarist who loves pedals. Like most passive loopers, the Iguana will ensure that all of your pedals are true bypass. Also the Iguana has a tuner output/mute switch so that your tuner is also out of your signal chain.In addition to having audio loops, the Iguana has 6 DC outputs so you can power up to 6 attached units. In terms of having a clean easy to use pedalboard, the DC out option is extremely useful.With most vintage pedals the internal buffer isn’t something you’d want your signal chain. By making every pedal true bypass, you can achieve a clearer signal.Having various pedals with different shapes and sizes can make it a challenge to stomp pedals one by one in a live situation. With the Iguana all of your switches have the same size and are easily lined up with bright LEDs making it very easy to see whether you pedals are active or not.The Iguana is a great product for the gigging guitarists who want to simplify his or her pedal board.Five-channel loop switchingTrue-bypass operationPower up to six pedals from your board

Steinberg Ur22 Mkii Recording Pack With Cubase Artist


Steinberg Ur22 Mkii Recording Pack With Cubase Artist


$399.98


This interface and software packages pairs Cubase Artist 9 with the Steinberg UR22 MkII Recording Pack.Cubase Artist 9 (J53075)Groundbreaking features, streamlined workflows and stunning new plug-insthis latest update enhances your favorite digital audio workstation in every direction and underlines Cubases claim of being one of the most complete DAWs available. Cubase Artist 9 runs on the award-winning 32-bit floating-point Steinberg audio engine with up to 192 kHz, flexible routing and full automatic delay compensation. You get simultaneous playback of 64 audio tracks, 128 MIDI tracks and up to 32 physical inputs and outputs. Access all areas in the fastest and most convenient way. The new Lower Zone provides a neat and tidy overview. Your tools and editors are now just a mouse click away: the Lower Zone will enhance your workflow regardless whether youre working mobile on a laptop or in a multi-screen studio environment. For a more complete description of Cubase Artist 9, please see J53075.Steinberg UR22 MkII Recording Pack (J46139) The UR22 Recording Pack comprises the Steinberg UR22mkII mobile USB audio interface, the latest version of Cubase AI, WaveLab LE and Cubasis LE alongside the ST-M01 studio microphone and the ST-H01 studio headphones.Featuring two TRS/XLR combo inputs, two TRS outputs, MIDI I/O plus one separate headphone output, the UR22mkII provides ample connectivity for mobile recording and personal home studios. With two D-PRE mic preamps providing phantom power for condenser microphones, this compact, yet durable interface offers latency-free hardware monitoring, as well as a sampling rate of up to 192 kHz, and has been designed to offer superb audio quality. Cubase AI offers a comprehensive feature set for composing, recording, editing and mixing and comes with the VST workstation HALion Sonic SE, plus a suite of 28 effect processors. WaveLab LE provides all theCubase Artist 9Award-winning 32-bit floating-point Steinberg audio engine Up to 192 kHz, 5.1 surround, flexible routing and full automatic delay compensationSimultaneous playback of 64 audio tracks, 128 MIDI tracks and up to 32 physical inputs and outputsMixConsole with integrated high-end channel strip, VCA faders, Loudness Meter, Wave MetersSteinberg UR22 MkII Recording PackQuality audio interfaceMicrophoneHeadphonesCables