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Krowne 18-53C Standard 1800 Series Underbar Sink, 3 Comp, 60 in L, 4 in Splash, NSF
Krowne 18-53C Standard 1800 Series Underbar Sink, 3 Comp, 60 in L, 4 in Splash, NSF
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Krowne 18-64C Standard 1800 Series Underbar Sink, 4 Comp, 72 in L, 4 in Splash, NSF
Krowne 18-64C Standard 1800 Series Underbar Sink, 4 Comp, 72 in L, 4 in Splash, NSF
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Used Zildjian K Cst Hybrid Splash 11In
In Store Used USED ZILDJIAN K CST HYBRID SPLASH 11IN
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Used 11In K Cst Hybrid Splash
In Store Used USED 11IN K CST HYBRID SPLASH
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Used Zildjian 11In K Custom Splash @838 050412
In Store Used USED ZILDJIAN 11IN K CUSTOM SPLASH @838 050412
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Sabian Aaxplosion Splash Cymbal 11In
Sabian AAXplosion Splash Cymbal 11in
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Sabian AAXplosion Splash Cymbal 11in
Sabian AAXplosion Splash Cymbal 11in
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Sabian AAXplosion Splash Cymbal 11in
With its Dynamic Focus design ensuring total response accuracy and modern, bright, shimmering sounds at all volume levels, the AAXplosion splash cymbal from Sabian gives you control in any style of music. 11"
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Sabian Aaxplosion Splash Cymbal 11In
With its Dynamic Focus design ensuring total response accuracy and modern, bright, shimmering sounds at all volume levels, the AAXplosion splash cymbal from Sabian gives you control in any style of music. 11"
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Used Bosphorus Gold Series Eh 20In Ride
In Store Used USED BOSPHORUS GOLD SERIES EH 20IN RIDE
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Used 16In Bosphorus Gold Series Crash
In Store Used USED 16IN BOSPHORUS GOLD SERIES CRASH
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Agazarian Traditional Splash 8"
Agazarian Traditional Splash 8"
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Agazarian Traditional Splash 10"
Agazarian Traditional Splash 10"
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Bosphorus Cymbals Traditional Series Thin Ride Cymbal 20
Bosphorus Cymbals Traditional Series Thin Ride Cymbal 20
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Agazarian Traditional Splash 8"
Agazarian Traditional Splash 8"
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Used Bosphorus 22" Vintage Series
In Store Used USED BOSPHORUS 22" VINTAGE SERIES
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Bosphorus Cymbals Traditional Series Dark Hi-Hat Cymbal Pair 14
This Bosphorus Traditional Series Dark Hi-Hat Cymbal Pair have a lower pitch than other 14" hats and a smooth swish that is very solid with little change in pitch. The Bospherus Traditional Series reflects the famous history of Turkish cymbal making at its finest. Cymbals from this series are diverse enough to be used in delicate symphonic situations and aggressive enough to be played in arena rock concerts. Regardless of the setting, these cymbals will inspire players to maximize their creative output.
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Agazarian Traditional Splash 10"
Agazarian Traditional Splash 10"
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Agazarian Traditional Splash 12"
Agazarian Traditional Splash 12"
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Used Lp Giovanni Series Quinto 11In
In Store Used USED LP GIOVANNI SERIES QUINTO 11IN
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Agazarian Traditional Splash 12"
Agazarian Traditional Splash 12"
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Used Zildjian Oriental Splash 11In 7 01/22/12
In Store Used USED ZILDJIAN ORIENTAL SPLASH 11IN 7 01/22/12
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Used Zildjian 11In Oriental Trash Splash 04.25.12
In Store Used USED ZILDJIAN 11IN ORIENTAL TRASH SPLASH 04.25.12
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Used Sabian Aaxplosion 11In Splash
In Store Used USED SABIAN AAXPLOSION 11IN SPLASH
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Used Zildjian 11In K Hybrid Splash @734
In Store Used USED ZILDJIAN 11IN K HYBRID SPLASH @734
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Used Zildjian 11In K Cst Hybrid Splash 051312
In Store Used USED ZILDJIAN 11IN K CST HYBRID SPLASH 051312
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Bosphorus Cymbals Antique Series Thin Crash Cymbal 16
This thin Bosphorus crash from the Antique Series offers fast crashes with a slightly mellowed sustain due to the banded lathing on the top side. It features two surfaceslathed and unlathed. It produce a slightly mellowed tone with quick decay. Artists willing to experiment will love the many textures available from the crash's varied playing surfaces.
The Antique Series marries the two lathing patterns found on the Traditional Series and the Turk Series. These cymbals offer the brilliance of a classic, lathed cymbal and the dryness of a raw, unlathed cymbal. The top side of this crash cymbal features an unlathed bell and a narrow strip of unlathed cymbal approximately half way between the bell and the edge. The bottom side of the cymbal is completely lathed.
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Traditional Large Wooden House on the Bosphorus at Istanbul, Turkey, Europe
Strachan James Traditional Large Wooden House on the Bosphorus at Istanbul, Turkey, Europe - Photographic Print
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Bosphorus Cymbals Gold Series Ride Cymbal 22
Bosphorus Cymbals Gold Series Ride Cymbal 22
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Bosphorus Cymbals Gold Series Hi-Hat Cymbal Pair 14
Bosphorus Cymbals Gold Series Hi-Hat Cymbal Pair 14
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Bosphorus Cymbals Stanton Moore Series Smash Crash Cymbal 18
Bosphorus Cymbals Stanton Moore Series Smash Crash Cymbal 18
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Bosphorus Cymbals Antique Series Thin Crash Cymbal 18
This thin Bosphorus crash from the Antique Series offers fast crashes with a slightly mellowed sustain due to the banded lathing on the top side. It features two surfaceslathed and unlathed. It produce a slightly mellowed tone with quick decay. Artists willing to experiment will love the many textures available from the crash's varied playing surfaces.
The Antique Series marries the two lathing patterns found on the Traditional Series and the Turk Series. These cymbals offer the brilliance of a classic, lathed cymbal and the dryness of a raw, unlathed cymbal. The top side of this crash cymbal features an unlathed bell and a narrow strip of unlathed cymbal approximately half way between the bell and the edge. The bottom side of the cymbal is completely lathed.
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Bosphorus Cymbals Stanton Moore Series Smash Crash Cymbal 16
The Stanton Moore Series 18" Smash Crash Cymbal has a graceful low end mellow sound with a long and smooth swell. While less brilliant than most crashes it adds more controlled accents that are sweet and musical.
Bosphorus worked for two years with Stanton on the development of his signature series cymbals. The results capture the funky, earthy quality of Stanton's trademark sound. The tops are traditionally lathed with warm tonal grooves, while the bottoms are lathed with the distinctive wider ridges associated with the Bosphorus New Orleans series. The sound is 100% Stantonraw, and aggressive, but always musical and extremely funky. Together these cymbals give Stanton the kind of balanced attack he requires as he takes traditional second line drumming into tomorrow.
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Bosphorus Cymbals Master Series Crash Cymbal 18
Bosphorus Cymbals Master Series Crash Cymbal 18
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Bosphorus Cymbals Master Series Ride Cymbal 20
Bosphorus Cymbals Master Series Ride Cymbal 20
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Bosphorus Cymbals Stanton Moore Series Fat Hats 14
Bosphorus Cymbals Stanton Moore Series Fat Hats 14
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Bosphorus Cymbals Hammer Series Ride Cymbal 20
Bosphorus Cymbals Hammer Series Ride Cymbal 20
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Bosphorus Cymbals Stanton Moore Series Wide Ride Cymbal 22
Bosphorus Cymbals Stanton Moore Series Wide Ride Cymbal 22
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Bosphorus Cymbals Hammer Series Hi-Hat Cymbal Pair 14
Bosphorus Cymbals Hammer Series Hi-Hat Cymbal Pair 14
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Bosphorus Cymbals Master Series Hi-Hat Cymbal Pair 14
Bosphorus Cymbals Master Series Hi-Hat Cymbal Pair 14
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Bosphorus Cymbals Rockett Series Ride Cymbal 22
The Bosphorus Rockett Series Ride Cymbal was developed by the man that lives rock, Rikki Rockett of Poison. This is a ride cymbal that was designed to cut through loud mixes. It offers amazing volume and intense projection that loud venues need in order to be heard. The Bosphorus Rockett Series Ride Cymbal is completely handmade and hand-hammered.
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Bosphorus Cymbals Master Series Ride Cymbal 22
Bosphorus Cymbals Master Series Ride Cymbal 22
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Bosphorus Cymbals Stanton Moore Series Wide Ride Cymbal 20
The Stanton Moore Series wide ride cymbal has great warmth, but plenty of stick definition. It is masculine, yet well balanced. The body does not wash out the distinct dry ping so the two sounds remain through most volumes.
Bosphorus worked for two years with Stanton on the development of his signature series cymbals. The results capture the funky, earthy quality of Stanton's trademark sound. The tops are traditionally lathed with warm tonal grooves, while the bottoms are lathed with the distinctive wider ridges associated with the Bosphorus New Orleans series. The sound is 100% Stantonraw, and aggressive, but always musical and extremely funky. Together these cymbals give Stanton the kind of balanced attack he requires as he takes traditional second line drumming into tomorrow. The Stanton Moore Series wide ride cymbal has great warmth, yet plenty of stick definition.
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Bosphorus Cymbals Stanton Moore Series Wide Ride Cymbal 20
Bosphorus Cymbals Stanton Moore Series Wide Ride Cymbal 20
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Bosphorus Cymbals Master Series Ride Cymbal 20
The Bosphorus Master Series ride cymbal features a range of warm, dark, and buttery tones that re-create the historic vintage sound of early jazz, blues, and big-band music. This ride cymbal offers a mellow, woody ping with a soft, giving feel when played. Its small, shallow bell along with its slightly curved profile offers the player a smoky wash of undertones that support articulate stick work and definition.
This Bosphorus ride cymbal is completely handmade from the casting process through the final hammering (not one hammer mark is made by a machine). Second, the alloy is from an ancient formula passed down by first generation cymbal smiths which give this ride cymbal a soft, "played-in" feel. Finally, the Bosphorus Ride Cymbal is much thinner than today's heavier weighted cymbals. Simply put, today's medium weight is much heavier than a medium weight cymbal in 1950. Another testimony to Bosphorus Cymbals' weight is the characteristic "ripple" made by the cymbal's edge when played.
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Bosphorus Cymbals Stanton Moore Series Fat Hats 14
The Stanton Moore Series Fat Hats are thin and have a dark, funky, and dirty sound. Bosphorus worked for two years with Stanton on the development of his signature series cymbals. The results capture the funky, earthy quality of Stanton's trademark sound. The tops are traditionally lathed with warm tonal grooves, while the bottoms are lathed with the distinctive wider ridges associated with the Bosphorus New Orleans series. The sound is 100% Stantonraw, and aggressive, but always musical and extremely funky. Together these cymbals give Stanton the kind of balanced attack he requires as he takes traditional second line drumming into tomorrow.
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Bosphorus Cymbals Stanton Moore Series Pang Thang Cymbal 20
The Stanton Moore Series Pang Thang has flanged edges for piercing crashes with plenty of low end wash. With a higher pitch that a trash crash, the Pang Thang has a sweet and light tone with a pronounced body swish.
Bosphorus worked for two years with Stanton on the development of his signature series cymbals. The results capture the funky, earthy quality of Stanton's trademark sound. The tops are traditionally lathed with warm tonal grooves, while the bottoms are lathed with the distinctive wider ridges associated with the Bosphorus New Orleans series. The sound is 100% Stantonraw, and aggressive, but always musical and extremely funky. Together these cymbals give Stanton the kind of balanced attack he requires as he takes traditional second line drumming into tomorrow.
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Bosphorus Cymbals Hammer Series Ride Cymbal 20
The Bosphorus Cymbals Hammer Series Ride Cymbal was developed by veteran jazz artist Jeff Hamilton. This Bosphorus ride cymbal offers a dark complex tonal palette, and provides great stick definition accompanied by warm, low undertones. The ride's bell is slightly smaller, but speaks with distinction. The cymbal's bowed profile tapers to a paper thin edge. This Bosphorus ride cymbal is sensitive enough for a jazz trio, but can dig in and carry a big band through the shout chorus. The cymbal's organic earthy undertones blend with varied instrumentation without being obtrusive or overbearing. The Bosphorus Hammer Series Ride Cymbal opens quickly for fast crashes and floats warmly when rolled upon with mallets.
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Bosphorus
Bosphorus
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Bosphorus Muzik
Bosphorus Muzik
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