|
Used Bbe Maxcom Stereo Comp W/ Sonic Maximizer
In Store Used USED BBE MAXCOM STEREO COMP W/ SONIC MAXIMIZER
|
|
Used Dbx 160S Dual Ch Comp 030212
In Store Used USED DBX 160S DUAL CH COMP 030212
|
|
Used Dbx 166Xl Stereo Comp
In Store Used USED DBX 166XL STEREO COMP
|
|
dbx 162SL Stereo Compressor/Limiter Standard
The 162SL will be a leader in signal processing for years to come !
|
|
Used Dbx 234Xs Stereo 2/3 Way, Mono 4-Way Crossover
The secret to making speakers sound great lies with the crossover you use. With the dbx 234xs Crossover you'll get great performance, ultra low-noise, rugged reliability and four decades of dbx knowledge and expertise in building the world's finest processors. The 234xs uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 234xs leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound. The dbx 234xs is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid "click" controls to the high quality XLR inputs and outputs. XLR balanced ins and outs Mode switches for mono 4-way or stereo 2-way/3-way operation Low frequency summed (subwoofer) output x10 range switch on both channels 40Hz high pass (low cut) filter both channels Phase reverse switch on all outputs Individual level controls on all outputs 24dB per octave Linkwitz-Riley filters (the professional standard) Stereo/Mono status LEDs indicate the selected mode dbx 2 year parts and labor as standard CSA NRTL/C approved CE compliant
|
|
|
Used Dbx 234Xs Stereo 2/3 Way, Mono 4-Way Crossover
The secret to making speakers sound great lies with the crossover you use. With the dbx 234xs Crossover you'll get great performance, ultra low-noise, rugged reliability and four decades of dbx knowledge and expertise in building the world's finest processors. The 234xs uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 234xs leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound. The dbx 234xs is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid "click" controls to the high quality XLR inputs and outputs. XLR balanced ins and outs Mode switches for mono 4-way or stereo 2-way/3-way operation Low frequency summed (subwoofer) output x10 range switch on both channels 40Hz high pass (low cut) filter both channels Phase reverse switch on all outputs Individual level controls on all outputs 24dB per octave Linkwitz-Riley filters (the professional standard) Stereo/Mono status LEDs indicate the selected mode dbx 2 year parts and labor as standard CSA NRTL/C approved CE compliant
|
|
DBX 160SL Stereo Compressor
DBX 160SL Stereo Compressor Since its inception the 160S has become the mark for which other compressors reach. As the leader in VCA and compressor design and engineering, we at dbx are always seeking to improve our products and give you the best possible compression solutions. With the newly improved 160SL, we introduce the patent-pending AutoVelocity technology. With AutoVelocity it is now easier than ever to dial up the exact attack and release effect you are looking for, via the program-dependent, or non program dependent manual mode. Still on board is the venerable dbx Auto mode. Now you can set your maximum preferred settings in manual mode, and let the 160SL do the rest for you, depending on your program material.The same striking blue front panel machined from 1/4" aircraft aluminum, handcrafted solid aluminum knobs, LEDs mounted individually in machined stainless steel housings, custom VU meters with peak indicators, and heavy gauge chassis still mark the 160SL as the leader for decades to come. The 160SL combines the best features of all the great dbx compressors, past and present, and gives you more versatile performance than ever before. In addition to having the auto attack and release as well as the hard knee threshold characteristics of the classic dbx 160, the 160SL now offers AutoVelocity manual mode, in addition to our classic OverEasy® mode, made standard by the classic dbx 165A. And speaking of the 165A, all of its features, including variable attack and release controls, as well as dbx's latest limiting algorithm PeakStopPlus, are included in the 160SL.The heart of any dynamics processor is its VCA. The dbx 160SL is no different. It features dual proprietary V8 VCA modules. This state-of-the-art implementation of dbx's original Blackmer decilinear VCA boasts an unheard-of 127dB dynamic range and ultra-low distortion. Encased in a specially designed aluminum-zinc housing for shielding and thermal characteristics, the V8 maintains its superior performance in harsh environments. The new 160S takes full advantage of the most technologically superior components available today. Premium active electronics, precision 0.1% and 1% metal film resistors, great sounding temperature stable polypropylene capacitors, high-reliability board-to-board connectors with gold-palladium-nickel contacts, Jensen® transformers, gold plated Neutrik® XLRs, rare earth magnet relays with gold contacts in a hermetically sealed nitrogen environment, military grade glass epoxy circuit boards, to mention a few, contribute to the most technologically advanced compressor in the world. Features: Patent-pending AutoVelocity™ circuit 127 dB of Dynamic Range High-Drive output transformer circuit drives 1000 ft. of Belden® cable at +30 dBu with only .007% THD Switchable between Hard-knee and OverEasy® Compression Program-dependent "Auto", AutoVelocity™, or fully variable attack and release manual modes
|
|
Used Samson S-Com Plus Stereo Comp W/ Limiter
In Store Used USED SAMSON S-COM PLUS STEREO COMP W/ LIMITER
|
|
Used Dbx 266Xl Stereo Comp
In Store Used USED DBX 266XL STEREO COMP
|
|
Used Dbx 166Xl Comp
In Store Used USED DBX 166XL COMP
|
|
DBX 223 Stereo 2-Way/Mono 3-Way Crossover
223 Stereo 2-Way/Mono 3-Way Crossover Let's take a look at the construction features of the dbx® 223. At first glance, you'll notice the units are great looking. As you turn the controls something else becomes apparent; these units are extremely well built. The controls exude great precision, and the feel is a solid "click". Also, when you open the box, you won't find the external power supply that accompanies most processors in this price range. That's because we know how difficult external power supplies can be to work with and even though it costs a little more we put the high quality power supply right in the unit. All the inputs and outputs are TRS differentially balanced 1/4" jacks that are bolted down to the chassis. This "nutting down" of the jacks insures that even if someone stomps on a cable plugged into the unit, it's not going to tear up the circuit board inside. All dbx crossovers all feature Linkwitz-Riley 24dB per octave filters, the professional standard. But then again, what did you expect? Via a switch on the back panel, you first select whether you're operating your system in stereo 2-way or mono 3-way. Then you also set, on the back panel, whether or not you want to mono sum the LF (subwoofer) out. (Most systems that use a subwoofer are mono subbed to take advantage of amplifier power and because low frequencies are non-directional.) Back panel switches allow you to select the range of the crossover frequencies individually for both channels. The crossover frequency controls have a green LED that indicates when the x10 switch on the back panel is activated (we wouldn't make you check the switch position on the back every time you wonder where it's set). All these switches are on the back panel because it could be disastrous if you were to change them mid-program. On the front panel you'll notice there are LEDs that indicate whether the unit is in mono or stereo mode. Each channel has an input gain control for proper level setting. There's a recessed 40 Hz low cut (HPF) on each channel to remove unwanted low frequencies. Both the low and high outputs on each channel have a gain control ranging from - to +6 dB to allow muting of individual outputs and for level matching. Also, these outputs each have phase reverse switches that will help get you out of a bind without having to reconfigure your system. These phase reverse switches may be internally reconfigured as mute switches. You'll get great performance, all the features you'd expect from a professional product and the knowledge that you're buying a processor from the people that have been producing the worlds finest processors for over 20 years. The technology that made us famous brings you a dbx crossover that has been tested to the highest professional standards at a price that's just too low to admit! Features: TRS differentially balanced ins and outs Mode switch for stereo 2-way or mono 3-way operation Low frequency summed (subwoofer) output x10 range switch on bot
|
|
Used Dbx 286S Mic Preamp/Comp/Expander
In Store Used USED DBX 286S MIC PREAMP/COMP/EXPANDER
|
|
Used Dbx 166Xl Comp/Gate/Limit
In Store Used USED DBX 166XL COMP/GATE/LIMIT
|
|
Used Dbx 166Xl Comp / Limiter 225 No Hold
In Store Used USED DBX 166XL COMP / LIMITER 225 NO HOLD
|
|
Used Dbx 160S
In Store Used USED DBX 160S 051811
|
|
dbx 223xs Stereo 2-Way/Mono 3-Way Crossover
With the dbx 223xs Crossover you'll get great performance, ultra low-noise, rugged reliability and four decades of dbx knowledge and expertise in building the world's finest processors. The dbx 223xs Crossover uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 223xs leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound. The dbx 223xs is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid "click" controls to the high quality XLR inputs and outputs. XLR balanced ins and outs Mode switch for stereo 2-way or mono 3-way operation Low frequency summed (subwoofer) output x10 range switch on both channels 40Hz high pass (low cut) filter both channels Phase reverse switch on all outputs Individual level controls on all outputs 24dB per octave Linkwitz-Riley filters (the professional standard) Stereo/Mono status LEDs indicate the selected mode dbx 2 year parts and labor as standard CSA NRTL/C approved CE compliant
|
|
Dbx 223Xs Stereo 2-Way/Mono 3-Way Crossover
With the dbx 223xs Crossover you'll get great performance, ultra low-noise, rugged reliability and four decades of dbx knowledge and expertise in building the world's finest processors. The dbx 223xs Crossover uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 223xs leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound. The dbx 223xs is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid "click" controls to the high quality XLR inputs and outputs. XLR balanced ins and outs Mode switch for stereo 2-way or mono 3-way operation Low frequency summed (subwoofer) output x10 range switch on both channels 40Hz high pass (low cut) filter both channels Phase reverse switch on all outputs Individual level controls on all outputs 24dB per octave Linkwitz-Riley filters (the professional standard) Stereo/Mono status LEDs indicate the selected mode dbx 2 year parts and labor as standard CSA NRTL/C approved CE compliant
|
|
|
Dbx 223Xs Stereo 2-Way/Mono 3-Way Crossover
With the dbx 223xs Crossover you'll get great performance, ultra low-noise, rugged reliability and four decades of dbx knowledge and expertise in building the world's finest processors. The dbx 223xs Crossover uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 223xs leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound. The dbx 223xs is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid "click" controls to the high quality XLR inputs and outputs. XLR balanced ins and outs Mode switch for stereo 2-way or mono 3-way operation Low frequency summed (subwoofer) output x10 range switch on both channels 40Hz high pass (low cut) filter both channels Phase reverse switch on all outputs Individual level controls on all outputs 24dB per octave Linkwitz-Riley filters (the professional standard) Stereo/Mono status LEDs indicate the selected mode dbx 2 year parts and labor as standard CSA NRTL/C approved CE compliant
|
|
Dbx 223Xs Stereo 2-Way/Mono 3-Way Crossover
dbx 223xs Stereo 2-Way/Mono 3-Way Crossover
|
|
dbx 223xs Stereo 2-Way/Mono 3-Way Crossover
dbx 223xs Stereo 2-Way/Mono 3-Way Crossover
|
|
DBX 223XL Stereo 2-Way/Mono 3-Way Crossover
223XL Stereo 2-Way.Mono 3-Way Crossover Let's take a look at the construction features of the dbx® 223XL. As you turn the controls you will notice that these units are extremely well built. The controls exude great precision, and the feel is a solid "click". Also, when you open the box, you won't find the external power supply that accompanies most processors in this price range. That's because we know how difficult external power supplies can be to work with and even though it costs a little more, we put the high quality power supply right in the unit. All the inputs and outputs are balanced XLRs that are screwed directly to the chassis. This connection of the jacks to the chassis insures that even if someone stomps on a cable plugged into the unit, it's not going to tear up the circuit board inside. All dbx crossovers feature Linkwitz-Riley 24dB per octave filters, the professional standard. But then again, what did you expect? Via a switch on the back panel, you first select whether you're operating your system in stereo 2-way or mono 3-way. Then you also set, on the back panel, whether or not you want to mono sum the LF (subwoofer) out. (Most systems that use a subwoofer are mono subbed to take advantage of amplifier power and because low frequencies are non-directional.) Back panel switches allow you to select the range of the crossover frequencies individually for both channels. The crossover frequency controls have a green LED that indicates when the x10 switch on the back panel is activated (we wouldn't make you check the switch position on the back every time you wonder where it's set). All these switches are on the back panel because it could be disastrous if you were to change them mid-program. On the front panel you'll notice there are LEDs that indicate whether the unit is in mono or stereo mode. Each channel has an input gain control for proper level setting. There's a recessed 40 Hz low cut (HPF) on each channel to remove unwanted low frequencies. Both the low and high outputs on each channel have a gain control ranging from -infinity to +6 dB to allow muting of individual outputs and for level matching. Also, these outputs each have phase reverse switches that will help get you out of a bind without having to reconfigure your system. These phase reverse switches may be internally reconfigured as mute switches. You'll get great performance, all the features you'd expect from a professional product and the knowledge that you're buying a processor from the people that have been producing the worlds finest processors for over 25 years. The technology that made us famous brings you a dbx crossover that has been tested to the highest professional standards at a price that's just too low to admit! Features: XLR balanced ins and outs Mode switch for stereo 2-way or mono 3-way operation Low frequency summed (subwoofer) output x10 range switch on both channels 40Hz high pass (low cut) filter both channels Phase reverse switch on all ou
|
|
Used Dbx 160Xt Rkmt Comp 7 440 040912
In Store Used USED DBX 160XT RKMT COMP 7 440 040912
|
|
|
Dbx 223Xl Stereo 2-Way/Mono 3-Way Crossover
dbx 223XL Stereo 2-Way/Mono 3-Way Crossover
|
|
Used Dbx 160X Comp/Limt
In Store Used USED DBX 160X COMP/LIMT
|
|
DBX 162SL Stereo Compressor
DBX 162SL Stereo Compressor The same familiar striking front panel, machined from 1/4" aircraft aluminum, handcrafted solid aluminum knobs, LEDs mounted individually in machined stainless steel housings, custom VU meters with peak indicators, and heavy gauge chassis mark the 162SL as a leader for decades to come. The 162SL combines the best features of all the great dbx compressors, past and present, and gives you more versatile performance than ever before. In addition to having the auto attack and release as well as the hard knee threshold characteristics of the classic dbx 160, the 162SL offers AutoVelocity™ manual mode, in addition to our classic dbx OverEasy® mode, made standard by the legendary dbx 165A. And speaking of the 165A, all of its features, including variable attack and release controls, as well as dbx's latest limiting algorithm PeakStopPlus™, are included in the 162SL. The heart of any dynamics processor is its VCA. The dbx 162SL is no different. It features dual proprietary dbx VCA modules. This state-of-the-art implementation of dbx's original Blackmer decilinear VCA boasts an unheard of dynamic range and ultra-low distortion seen only previously in the Blue 160SLs. With sonic clarity designed for the studio, the 162SL maintains its superior performance in harsh environments, pure enough for the studio, rugged enough for the road was the engineering motto of the Purple Series of Compressors / Limiters. Like it's big brother the 162SL, it takes full advantage of the best parts available and dbx's advanced manufacturing, including Jensen® transformers on each output standard. Following in the footsteps of the Blue Series 160SL, with the Purple Series 162SL, dbx continues to create to the most technologically advanced compressors in the world. Features: Super fast manual attack and release High-Drive Jensen® output transformers Hard-knee/OverEasy® switchable Ultra-low distortion compression for unheard of clarity even under extreme gain reduction Program-dependent "Auto," Patent-pending AutoVelocity™ Manual, or fully variable attack and release modes
|
|
Dbx 162Sl Stereo Compressor/Limiter
The first thing you'll notice about the dbx 162SL Stereo Compressor/Limiter is its striking front panel, machined from 1/4" aircraft aluminum. The 162SL is adorned with handcrafted solid aluminum knobs, LEDs mounted individually in machined stainless steel housings, custom VU meters with peak indicators, and a heavy-gauge chassis. On the inside, the dbx 162SL combines the best features of all the great dbx compressors, past and present, and gives you more versatile performance than ever before. In addition to having the auto attack/release and hard-knee threshold characteristics of the classic dbx 160, the 162SL offers AutoVelocity manual mode and classic dbx OverEasy mode. Variable attack and release controls, as well as dbx's latest limiting algorithm PeakStopPlus, are included in the 162SL. The dbx 162SL also features dual proprietary dbx VCA modules. This state-of-the-art implementation of dbx's original Blackmer decilinear VCA boasts an unheard-of dynamic range and ultralow distortion seen only previously in the Blue 160SLs. It's built of the best parts available including Jensen transformers on each output standard and also takes full advantage of dbx's advanced manufacturing. Click on the additional manufacturer information and PDF links below to get the full scoop on this powerful compressor!Super-fast manual attack and release High-drive Jensen output transformers Hard-knee/OverEasy switchable Ultralow distortion compression for clarity even under extreme gain reduction Program-dependent "Auto," Patent-pending AutoVelocity Manual, or fully variable attack and release modes
|
|
Used Dbx 1066 Comp 050912
In Store Used USED DBX 1066 COMP 050912
|
|
Dbx 234Xs Stereo 2/3 Way, Mono 4-Way Crossover
The secret to making speakers sound great lies with the crossover you use. With the dbx 234xs Crossover you'll get great performance, ultra low-noise, rugged reliability and four decades of dbx knowledge and expertise in building the world's finest processors. The 234xs uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 234xs leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound. The dbx 234xs is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid "click" controls to the high quality XLR inputs and outputs. XLR balanced ins and outs Mode switches for mono 4-way or stereo 2-way/3-way operation Low frequency summed (subwoofer) output x10 range switch on both channels 40Hz high pass (low cut) filter both channels Phase reverse switch on all outputs Individual level controls on all outputs 24dB per octave Linkwitz-Riley filters (the professional standard) Stereo/Mono status LEDs indicate the selected mode dbx 2 year parts and labor as standard CSA NRTL/C approved CE compliant
|
|
|
Dbx 234Xs Stereo 2/3 Way, Mono 4-Way Crossover
The secret to making speakers sound great lies with the crossover you use. With the dbx 234xs Crossover you'll get great performance, ultra low-noise, rugged reliability and four decades of dbx knowledge and expertise in building the world's finest processors. The 234xs uses precision filters to separate the audio signal and direct the correct frequencies to your loudspeaker drivers. By directing only the specific frequency bands to each speaker driver the 234xs leaves your amplifiers free to use their full power on the usable signal eliminating distortion and giving your PA system a cleaner and better sound. The dbx 234xs is a dual channel crossover with all the features you would expect from a professional product. It features Linkwitz-Riley 24dB per octave filters, independent output gain controls for level matching, output phase inversion, 40 Hz low cut filter, and optional mono summing of the low frequency (subwoofer) output. Everything in the design exudes great precision from the solid "click" controls to the high quality XLR inputs and outputs. XLR balanced ins and outs Mode switches for mono 4-way or stereo 2-way/3-way operation Low frequency summed (subwoofer) output x10 range switch on both channels 40Hz high pass (low cut) filter both channels Phase reverse switch on all outputs Individual level controls on all outputs 24dB per octave Linkwitz-Riley filters (the professional standard) Stereo/Mono status LEDs indicate the selected mode dbx 2 year parts and labor as standard CSA NRTL/C approved CE compliant
|
|
|
Used Dbx Pro 1066 Comp/Limiter/Gate
In Store Used USED DBX PRO 1066 COMP/LIMITER/GATE
|
|
Used Dbx 1046 Quad Comp Limit
In Store Used USED DBX 1046 QUAD COMP LIMIT
|
|
Used Dbx 1046 Quad Comp Limit
In Store Used USED DBX 1046 QUAD COMP LIMIT
|
|
Used Dbx 1046 Quad Comp / Limit
In Store Used USED DBX 1046 QUAD COMP / LIMIT
|
|
Used Dbx 1046 Quad Comp / Limit
In Store Used USED DBX 1046 QUAD COMP / LIMIT
|
|
Used Dbx 266Xl Comp Gate
In Store Used USED DBX 266XL COMP GATE
|
|
|
Used Dbx 266Xl Dual Comp 0330
In Store Used USED DBX 266XL DUAL COMP 0330
|
|
|
Used Dbx 266Xl Comp/Limit
In Store Used USED DBX 266XL COMP/LIMIT
|
|
Used Dbx 223Xl Stereo Mono Xover
In Store Used USED DBX 223XL STEREO MONO XOVER
|
|
Used Dbx 266Xl Comp/Gate
In Store Used USED DBX 266XL COMP/GATE
|
|
Used Dbx 266 Comp 0503
In Store Used USED DBX 266 COMP 0503
|
|
Used Dbx 266 Comp 8.0 @ 841 01282
In Store Used USED DBX 266 COMP 8.0 @ 841 01282
|
|
|
Used Dbx 163X Comp
In Store Used USED DBX 163X COMP
|
|
Used Dbx 266Xl Comp/Limit
In Store Used USED DBX 266XL COMP/LIMIT
|
|
Used Dbx 266Xl Comp/Limit
In Store Used USED DBX 266XL COMP/LIMIT
|
|
Used Dbx 266Xs 2Ch Comp Gate
In Store Used USED DBX 266XS 2CH COMP GATE
|
|
|
Used Dbx 266Xl Comp Limit 225 011612
In Store Used USED DBX 266XL COMP LIMIT 225 011612
|
|
DBX IEM In-Ear Monitor Processor
IEM in ear monitor Finally! There is now a digital signal processor that has been designed specifically for in ear monitor applications. New from dbx Professional Products, comes the IEM, In-Ear-Monitor Processor which is the ideal tool for fine-tuning mix monitoring for In-Ear monitoring devices. Not only does the IEM provide the legendary dbx effects in the digital domain, such as 4-band stereo compression, PeakStop™ limiting and 5-band parametric EQ, but the IEM also includes stereo adjust, dbx proprietary Type IV™ conversion system, and for good measure, we have even raised the playing field by including custom reverb algorithms using the industry standard Lexicon® technology. The IEM from dbx Professional Products is a unit that is certain to take In-Ear Monitor processing to the next level.From the company that has been redefining the standard of signal processing for more than 25 years, dbx® Professional Products now offers a bulletproof product that caters to the scrutinizing needs of performers who utilize In-Ear Monitorin devices. The IEM was designed with the simple purpose and vision of enhancing the sonic quality of all In-Ear monitor applications, while providing the necessary audio level protection that artists and engineers require. The design team at dbx has achieved this vision by building a unit that offers effects including: 4-band stereo compressor with gating and limiting, 5-Band Parametric EQ, PeakStop™ limiting, Stereo adjust and Lexicon® reverbs. In addition to methodically designing a utilitarian unit that includes an intuitive user front panel which provides instant access to all effects within the IEM at the push of a button, as well as a large custom display which clearly shows all operational information of the unit in a logical manner. Features: Industry-Standard Lexicon Reverb Algorithms 48-bit internal signal path for increased head room and low level resolution Type IV™ A/D Conversion system with TSE 4-band stereo compressor and limiter with classic dbx® compression 5-band EQ - Hi and Lo shelves, 3-band fully parametric PeakStop™ limiting Stereo adjust - to control your stereo image 4-band crossover with variable slopes
|
|
DBX AFS 224
DBX AFS 224 The AFS 224 Advanced Feedback Suppression processor was designed to provide state-of-the art feedback elimination processing, while maintaining a simple and intuitive control interface. From the powerful DSP module to the no-nonsense user interface, the AFS 224 provides all the processing and control necessary for both installation and live use. The AFS 224 is an absolute must for any live sound application. Ten and twelve filter feedback elimination processors have become the de facto standard, but the engineering staff at dbx have never been quite content residing in the neighborhood of the status quo. So, to raise the bar once again, they went out and developed a dedicated feedback suppression processor that offers up to 24 filters per channel with filter Qs up to 1/80 of an octave. To achieve these staggering numbers dbx utilized their patent-pending AFS technology that had previously only been available in the upper echelon line of products and made it available in this stand-alone processor, which takes all of the guesswork out of feedback removal. In addition to the plethora of feedback suppression filters available, the AFS 224 also offers selectable modes, live filter lift, and types of filtration, which are all readily available via the intuitive user interface front panel. Features: dbx's Patent-pending (Advanced Feedback Suppression) AFS™ technology 24 Programmable Filters per Channel Stereo or Dual Independent Channel Processing Live and Fixed Filter Modes Selectable Filter Lift Times Application-specific filter types include: Speech and Music Low, Med and High Input channel Metering 24 LED per Channel Filter Metering XLR and TRS Inputs and Outputs
|
|
DBX DriveRack PA
DBX DriveRack PA Drive your PA to a whole new level of performance with the DriveRack® PA Complete Equalization & Loudspeaker Control System. The DriveRack® PA from dbx Professional Products® represents a complete integration of the key elements that help ensure optimal loudspeaker system management in PA-specific applications. Capitalizing on the legendary 480 DriveRack® technology, the DriveRack® PA is able to provide its user with top-tier, pro-level loudspeaker management specifications, yet still remain appealing to the budget-conscious audiophile who requires a tried and true utilitarian workhorse. With its all-inclusive, no-compromise design, the DriveRack® PA has been systematically developed and designed to grow with your system needs for years to come. The DriveRack® PA continues the legacy of DriveRack® series, which has been created by the company that has been redefining the standard of signal processing for more than 30 years. The DriveRack® PA was designed with the purpose and vision of providing state-of-the-art signal processing, while utilizing a simple and intuitive user interface. This goal has been achieved by offering two independent channels of processing power with a linkable 28-Band Graphic equalizer, industry-standard dbx® stereo compressor module, feedback eliminator and the 120A Subharmonic Synthesizer on the input, with a six channel output system that includes parametric EQs, and Peak Plus™ limiters (which are used to provide protection against speaker blowouts) and alignment delay. These features combined with the Wizard setup system, represent a methodical design that is guaranteed to deliver optimal, all-inclusive processing in a completely scalable system. Features: Stereo Feedback Elimination with 12 feedback notch filters Dual 28-band Graphic EQ Classic dbx® Compressor 120A Sub-harmonic Synthesizer 2x3, 2x4, 2x5, 2x6 Crossover Configurations Stereo Multi-band Parametric EQ Stereo Output Limiters Alignment Delay Pink Noise Generator Auto-EQ with 28-Band RTA JBL® Speaker and Crown Power Amp Tunings with Setup Wizard 25 User Programs / 25 Factory Programs 2 Channel XLR Input and 6 Channel XLR Output Front panel RTA-M XLR input with phantom power 24-Bit ADC/24-Bit DAC, >110 dB Dynamic Range TypeIV® Conversion System Full Graphic LCD Display
|
|
DBX Drive Rack Studio
DBX Drive Rack Studio The dbx Professional Products DriveRack Studio provides all of the tools necessary to optimize Studio Monitor management in a single rack mount chassis design regardless of the environment. The DriveRack Studio offers dual XLR inputs and six XLR outputs, dual channel graphic EQ, classic dbx Compression, multiple crossovers, parametric EQ and a built-in real time audio analyzer. In addition, this audio toolbox provides the end user with 24 custom presets that have been specifically written and designed to work in tandem with the most popular studio reference monitors available. The DriveRack Studio now allows you to fine-tune even the most sonically challenged rooms. The DriveRack Studio continues the legacy of DriveRack series, which has been created by the company that has been redefining the standard of signal processing for more than 30 years. The DriveRack Studio was designed with the purpose and vision of providing state-of-the-art signal processing in the studio environment, while utilizing a simple and intuitive user interface. This goal has been achieved by offering two independent channels of processing power with a linkable 28-Band Graphic equalizer, industry-standard dbx® stereo compressor module, feedback eliminator and the 120A Subharmonic Synthesizer on the input, with a six channel output system that includes parametric EQs, and Peak Plus™ limiters (which are used to provide protection against speaker blowouts) and alignment delay. These features combined with the Wizard setup system, represent a methodical design that is guaranteed to deliver optimal, all-inclusive processing in a completely scalable system. Features: 24 Custom Factory Programs Optimized for Studio Monitor Management Dual 28-band Graphic EQ Classic dbx® Compressor 120A Sub-harmonic Synthesizer 2x3, 2x4, 2x5, 2x6 Crossover Configurations Stereo Multi-band Parametric EQ Stereo Output Limiters Alignment Delay Pink Noise Generator Auto-EQ with 28-Band RTA 2-Channel XLR Input and 6 Channel XLR Output Front panel RTA-M XLR input with phantom power 24-Bit ADC/24-Bit DAC. >110dB Dynamic Range TYPE IV® Conversion System Full Graphic LCD Display
|